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Ebooks de Arte, Cine Y Fotografía

3324 resultados para Ebooks de Arte, Cine Y Fotografía

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  • BAROQUE ART
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    BAROQUE ART
    KLAUS CARL / KLAUS H. CARL / VICTORIA CHARLES
    The Baroque period lasted from the beginning of the seventeenth century to the middle of the eighteenth century. Baroque art was artists’ response to the Catholic Church’s demand for solemn grandeur following the Council of Trent, and through its monumentality and grandiloquence it seduced the great European courts. Amongst the Baroque arts, architecture has, without doubt,

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  • EXPRESSIONISM
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    EXPRESSIONISM
    ASHLEY BASSIE / ASHLEY BASSIE
    Max Beckmann, Otto Dix, George Grosz, Emil Nolde, E.L. Kirchner, Paul Klee, Franz Marc as well as the Austrians Oskar Kokoschka and Egon Schiele were among the generation of highly individual artists who contributed to the vivid and often controversial new movement in early twentieth-century Germany and Austria: Expressionism. This publication introduces these artists and their

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  • THE ARTS & CRAFTS MOVEMENT
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    THE ARTS & CRAFTS MOVEMENT
    OSCAR LOVELL TRIGGS
    “Have nothing in your house that you do not know to be useful, or believe to be beautiful.” This quote alone from William Morris could summarise the ideology of the Arts & Crafts movement, which triggered a veritable reform in the applied arts in England. Founded by John Ruskin, then put into practice by William Morris, the Arts & Crafts movement promoted revolutionary idea

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  • NAIVE ART
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    NAIVE ART
    NATHALIA BRODSKAYA / NATHALIA BRODSKAÏA
    Naive art first became popular at the end of the 19th century. Until that time, this form of expression, created by untrained artists and characterised by spontaneity and simplicity, enjoyed little recognition from professional artists and art critics. Influenced by primitive arts, naive painting is distinguished by the fluidity of its lines, vivacity, and joyful colours, as we

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  • EARLY ITALIAN PAINTING
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    EARLY ITALIAN PAINTING
    ANNA JAMESON / ANNA JAMESON / GIOVANNI BATTISTA CAVALCASELLE / GIOVANNI BATTISTA CAVALCASELLE / JOSEPH ARCHER CROWE
    Oscillating between the majesty of the Greco-Byzantine tradition and the modernity predicted by Giotto, Early Italian Painting addresses the first important aesthetic movement that would lead to the Renaissance, the Italian Primitives. Trying new mediums and techniques, these revolutionary artists no longer painted frescos on walls, but created the first mobile paintings on woo

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  • ROMANTICISM
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    ROMANTICISM
    LÉON ROSENTHAL
    Romanticism was a reaction against the Neoclassicism that invaded the 19th century, and marked a veritable intellectual rupture. Found in the writings of Victor Hugo and Lord Byron, amongst others, its ideas are expressed in painting by Eugène Delacroix, Caspar David Friedrich and William Blake. In sculpture, François Rude indicated the direction this new artistic freedom wou

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  • SYMBOLISM
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    SYMBOLISM
    NATHALIA BRODSKAYA / NATHALIA BRODSKAÏA
    Symbolism appeared in France and Europe between the 1880s and the beginning of the 20th century. The Symbolists, fascinated with ancient mythology, attempted to escape the reign of rational thought imposed by science. They wished to transcend the world of the visible and the rational in order to attain the world of pure thought, constantly flirting with the limits of the uncons

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  • BYZANTINE ART
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    BYZANTINE ART
    CHARLES BAYET
    For more than a millennium, from its creation in 330 CE until its fall in 1453, the Byzantine Empire was a cradle of artistic effervescence that is only beginning to be rediscovered. Endowed with the rich heritage of Roman, Eastern, and Christian cultures, Byzantine artists developed an architectural and pictorial tradition, marked by symbolism, whose influence extended far bey

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  • ART NOUVEAU
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    ART NOUVEAU
    JEAN LAHOR / JEAN LAHOR
    Art Nouveau gives a name to the decorative and architectural style developed in the 1880s and 1890s in the West. Born in reaction to the Industrial Revolution and to the creative vacuum it left behind, Art Nouveau was at the heart of a “renaissance” in the decorative arts. The primary objective of the movement was the creation of a new aesthetic of nature through a return t

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  • CUBISM
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    CUBISM
    DOROTHEA EIMERT / GUILLAUME APOLLINAIRE
    Les Demoiselles d’Avignon: five young women that changed modern art forever. Faces seen simultaneously from the front and in profile, angular bodies whose once voluptuous feminine forms disappear behind asymmetric lines - with this work, Picasso revolutionised the entire history of painting. Cubism was thus born in 1907. Transforming natural forms into cylinders and cubes, pa

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  • ENCAUSTIC ART
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    ENCAUSTIC ART
    JENNIFER MARGELL
    Encaustic painting is one of the world’s most venerable art forms, having been practised consistently around the world since the ancient Egyptians first used it to decorate sarcophagi, and enjoying continuing popularity in the modern era with artists such as Paul Klee and Diego Rivera. In this new text, Jennifer Margell offers readers a comprehensive introduction to the mediu

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  • ÉMILE GALLÉ
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    ÉMILE GALLÉ
    ÉMILE GALLÉ
    An icon in the Art Nouveau movement, Émile Gallé (1846-1904) sought to portray the beauty and simplicity of nature in his glass art. His designs, referred to as “poetry in glass”, range from fine pottery to jewellery to furniture. Everything Gallé produced contains traces of his masterful technique which reflects his innovativeness as an artist and his skill as a designe

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  • ART OF VIETNAM
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    ART OF VIETNAM
    CATHERINE NOPPE / JEAN-FRANÇOIS HUBERT
    Since the foundation of the Au Lac kingdom three centuries ago – famous for their bronze drums and their magnificent artilleries – until the works of the painters from the Ecole des Beaux-Arts of Indochina, created in Hanoi in 1925, the arts of Vietnam have been marked by its profoundly original cultures and the fusion between Asia and the Occident. The modern Vietnamese ci

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  • PIET MONDRIAN
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    PIET MONDRIAN
    VIRGINIA PITTS REMBERT
    Pioneer and leader of the abstract art movement, Piet Mondrian (1872-1944) was known for his straight lines and pure colours. Fascinated by the mathematical laws of the universe, this Dutch artist nourished his work with his scientific discoveries and created a new abstract language alongside his allies Wassily Kandinsky and Fernand Léger. As his investigations advanced, his w

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  • LEONARDO DA VINCI - ARTIST, PAINTER OF THE RENAISSANCE
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    LEONARDO DA VINCI - ARTIST, PAINTER OF THE RENAISSANCE
    EUGÈNE MÜNTZ
    “Studying nature with passion, and all the independence proper to his character, he could not fail to combine precision with liberty, and truth with beauty. It is in this final emancipation, this perfect mastery of modelling, of illumination, and of expression, this breadth and freedom, that the master’s raison d’être and glory consist. Others may have struck out new pat

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  • LEONARDO DA VINCI - THINKER AND MAN OF SCIENCE
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    LEONARDO DA VINCI - THINKER AND MAN OF SCIENCE
    EUGÈNE MÜNTZ
    Not only was Leonardo da Vinci (1453-1519) an astonishing painter, but also a scientist, anatomist, sculptor, architect, musician, engineer, inventor, and more. The question is rather, what was he not? During the Italian Renaissance, he mastered the most beautiful works of art for the Medicis’ in Italy and for the King of France. He aroused admiration from his contemporaries,

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  • THE RENAISSANCE ENGRAVERS
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    THE RENAISSANCE ENGRAVERS
    JP CALOSSE / CHARMIAN MEZENTSEVA / JP. A. CALOSSE
    This ambitious work allows the reader to discover the art of engraving in Europe from the 15th to the 16th century. The engravings of the Renaissance masters are considered models of artistic perfection, often studied and frequently copied.

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  • WILLIAM BLAKE
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    WILLIAM BLAKE
    OSBERT BURDETT
    Poet, draughtsman, engraver and painter, William Blake’s work is made up of several elements – Gothic art, Germanic reverie, the Bible, Milton and Shakespeare – to which were added Dante and a certain taste for linear designs, resembling geometric diagrams, and relates him to the great classical movement inspired by Winckelmann and propagated by David. This is the sole po

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  • MALEVICH
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    MALEVICH
    GERRY SOUTER
    Kasimir Malevich (1878-1935) was a painter and a great art theorist, but first and foremost he was the founder of Suprematism, a style seeking pure abstraction based on geometrical forms. “Suprematism,” he wrote, “has led me to discover something that had not been understood until then… There is in human consciousness an imperious desire of space and the will to escape

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  • THE ART OF CHAMPA
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    THE ART OF CHAMPA
    JEAN-FRANÇOIS HUBERT
    In the 5th century, the Champa kingdom held sway over a large area of today’s Vietnam. Several magnificent structures still testify to their former presence in the Nha Trang region. Cham sculpture was worked in a variety of materials, principally sandstone, but also gold, silver and bronze. It was primarily used to illustrate themes from Indian mythology. The kingdom was grad

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