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Editorial : PARKSTONE INTERNATIONAL

639 resultados para Editorial : PARKSTONE INTERNATIONAL

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  • ALBRECHT DÜRER 1471-1528
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    ALBRECHT DÜRER 1471-1528
    VICTORIA CHARLES
    Albrecht Dürer (1471-1528) is widely regarded as one of the most significant artists of the Northern Renaissance. Born in Nuremberg, Germany, Dürer became renowned for his mastery of various mediums, including painting, printmaking, and wood-cutting. Throughout his life, Dürer produced a vast array of works that demonstrated his technical skill and innovative vision. His art

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  • ROSA BONHEUR. AN UNCONVENTIONAL PATH
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    ROSA BONHEUR. AN UNCONVENTIONAL PATH
    VICKY CHARLES
    Rosa Bonheur (1822-1899) Bonheur was the oldest of four artistic children born to the French landscape painter Raymond Bonheur. Rosa began sketching and sculpting animals at an early age and used her interest in animals to help her learn to read and write. She would sketch an animal for each letter of the alphabet and perfected her form by visiting butcher shops and cattle mark

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  • THE PEOPLES OF THE GREAT NORTH. ART AND CIVILISATION OF SIBERIA
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    THE PEOPLES OF THE GREAT NORTH. ART AND CIVILISATION OF SIBERIA
    MARINA FEDEROVA / VALENTINA GORBATCHEVA
    Documents discovered recently in the hidden backrooms of St Petersburg’s Ethnological Museum have proved to be of sensational importance. The contents are published for the very first time in this work. Representing photos and descriptions of art and sculpture, of everyday utensils and everyday activities, all dating from the beginning of the twentieth century, these are the

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  • THE LADY AND THE UNICORN
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    THE LADY AND THE UNICORN
    SUTHERLAND LYALL
    The legendary medieval tapestry The Lady and the Unicorn is Sutherland Lyall’s starting point for this journey into the world of mythology and mystery which has been woven around the myth of the unicorn and the lady. We learn that the unicorn is the symbol for power and the lady may be mother, mistress or virgin. With an abundant collection of documents form a number of inter

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  • JEAN-ANTOINE WATTEAU
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    JEAN-ANTOINE WATTEAU
    YOURI ZOLOTOV
    Antoine Watteau (1684-1721) epitomises the grace, intelligence, and poetry of the eighteenth century, a period when French tastes reigned supreme throughout Europe. He is renowned as a pivotal figure in Rococo art. Watteau excels in depicting scenes of daily life and theatrical costumes. His work, while highly stylised, reveals an undercurrent of melancholy beneath its apparent

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  • JEAN-HONORÉ FRAGONARD
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    JEAN-HONORÉ FRAGONARD
    EDMOND GONCOURT / JULES GONCOURT / MAGGIORINO DI CALOSSO
    Jean-Honoré Fragonard (1732-1806) punctuates the eighteenth century with a burst of fireworks, closing the arc opened by Watteau with his enchanting poems of love and melancholy. While Watteau was ethereal and profound, Fragonard was delightfully light. He captivates us even as he amuses himself, his emotional distance ever apparent. Specialising in “fêtes galantes” execu

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  • STREET ART EVOLUTION 1970-1990
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    STREET ART EVOLUTION 1970-1990
    CIE CARL / CORNELIA CARL
    This richly illustrated book plunges you into the vibrant and provocative world of graffiti and street art in this wide-ranging exploration of a much-misunderstood culture. Our journey spans the tumultuous birth of graffiti in 1970s New York, to its explosive growth and evolution. Be seduced by the visceral impact of the bright colours and intricate shapes, the hard-hitting soc

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  • WILLIAM BLAKE
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    WILLIAM BLAKE
    OSBERT BURDETT
    Poet, draughtsman, engraver and painter, William Blake’s work is made up of several elements – Gothic art, Germanic reverie, the Bible, Milton and Shakespeare – to which were added Dante and a certain taste for linear designs, resembling geometric diagrams, and relates him to the great classical movement inspired by Winckelmann and propagated by David. This is the sole po

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  • MALEVICH
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    MALEVICH
    GERRY SOUTER
    Kasimir Malevich (1878-1935) was a painter and a great art theorist, but first and foremost he was the founder of Suprematism, a style seeking pure abstraction based on geometrical forms. “Suprematism,” he wrote, “has led me to discover something that had not been understood until then… There is in human consciousness an imperious desire of space and the will to escape

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  • THE ART OF CHAMPA
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    THE ART OF CHAMPA
    JEAN-FRANÇOIS HUBERT
    In the 5th century, the Champa kingdom held sway over a large area of today’s Vietnam. Several magnificent structures still testify to their former presence in the Nha Trang region. Cham sculpture was worked in a variety of materials, principally sandstone, but also gold, silver and bronze. It was primarily used to illustrate themes from Indian mythology. The kingdom was grad

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  • THE SPLENDOR OF ENGLISH GOTHIC ARCHITECTURE
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    THE SPLENDOR OF ENGLISH GOTHIC ARCHITECTURE
    JOHN SHANNON HENDRIX
    This book explains and celebrates the richness of Englishchurches and cathedrals, which have a major place inmedieval architecture. The English Gothic style developedsomewhat later than in France, but rapidly developed itsown architectural and ornamental codes. The author, John Shannon Hendrix, classifies English Gothic architecture in four principal stages: the early English G

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  • LANDSCAPES
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    LANDSCAPES
    EMILE MICHEL / ÉMILE MICHEL
    Although considered a minor genre for a long time, the art of landscape has risen above its forebears - religious and historic painting - to become a genre of its own. Giorgione in Italy, the Brueghels of the Flemish School, Claude Lorrain and Poussain of the French School, the Dutch landscape painters and Turner and Constable of England are just a few of the great landscapists

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  • BOSCH
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    BOSCH
    VIRGINIA PITTS REMBERT
    Hieronymus Bosch was painting frightening, yet vaguely likable monsters long before computer games were ever invented, often including a touch of humour. His works are assertive statements about the mental illness that befalls any man who abandons the teachings of Christ. With a life that spanned from 1450 to 1516, Bosch experienced the drama of the highly charged Renaissance a

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  • ICONS
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    ICONS
    NIKODIM PAVLOVICH KONDAKOV
    Icon painting has reached its zenith in Ukraine between the 11th and 18th centuries. This art is appealing because of its great openness to other influences – the obedience to the rules of Orthodox Christianity in its early stages, the borrowing from Roman heritage or later to the Western breakthroughs – combined with a never compromised assertion of a distinctly Slavic sou

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  • DECORATIVE ART
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    DECORATIVE ART
    ALBERT JAQUEMART
    From the Middle Ages to contemporary times, decorative art can be defined by the artistic materials, designs and objects used in both architecture and interior design. Similar to many art forms decorative art continues to evolve, originating with pieces as simple as a chair, noted for its utility, to purely ornamental objects, celebrated for their aesthetic beauty. Decorative A

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  • FRA ANGELICO
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    FRA ANGELICO
    STEPHAN BEISSEL
    Secluded within cloister walls, a painter and a monk, and brother of the order of the Dominicans, Angelico devoted his life to religious paintings. Little is known of his early life except that he was born at Vicchio, in the broad fertile valley of the Mugello, not far from Florence, that his name was Guido de Pietro, and that he passed his youth in Florence, probably in some b

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  • THE BRUEGHELS
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    THE BRUEGHELS
    EMILE MICHEL / VICTORIA CHARLES
    Pieter Brueghel was the first important member of a family of artists who were active for four generations. Firstly a drawer before becoming a painter later, he painted religious themes, such as Babel Tower, with very bright colours. Influenced by Hieronymus Bosch, he painted large, complex scenes of peasant life and scripture or spiritual allegories, often with crowds of subje

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  • ART OF THE DEVIL
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    ART OF THE DEVIL
    ARTURO GRAF
    “The Devil holds the strings which move us!” (Charles Baudelaire, The Flowers of Evil, 1857.) Satan, Beelzebub, Lucifer… the Devil has many names and faces, all of which have always served artists as a source of inspiration. Often commissioned by religious leaders as images of fear or veneration, depending on the society, representations of the underworld served to instru

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  • THE ABC OF STYLE
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    THE ABC OF STYLE
    ÉMILE BAYARD
    Ever wondered why your ceiling is shaped like the arches in a gothic cathedral? Or why your offi ce building looks so different from its neighboring counterparts? The ABC of Style invites you to explore the many different architectural and decorative interior styles from their ancient origins to the 1940s. Take a journey through history to see how the French aristocracy styled

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  • GUSTAVE COURBET
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    GUSTAVE COURBET
    GEORGES RIAT
    Ornans, Courbet’s birthplace, is near the beautiful valley of the Doubs River, and it was here as a boy, and later as a man, that he absorbed the love of landscape. He was by nature a revolutionary, a man born to oppose existing order and to assert his independence; he had that quality of bluster and brutality which makes the revolutionary count in art as well as in politics.

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