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Editorial : PARKSTONE INTERNATIONAL

1345 resultados para Editorial : PARKSTONE INTERNATIONAL

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  • ALBRECHT DÜRER 1471-1528
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    ALBRECHT DÜRER 1471-1528
    VICTORIA CHARLES
    Albrecht Dürer (1471-1528) is widely regarded as one of the most significant artists of the Northern Renaissance. Born in Nuremberg, Germany, Dürer became renowned for his mastery of various mediums, including painting, printmaking, and wood-cutting. Throughout his life, Dürer produced a vast array of works that demonstrated his technical skill and innovative vision. His art

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  • ROSA BONHEUR. AN UNCONVENTIONAL PATH
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    ROSA BONHEUR. AN UNCONVENTIONAL PATH
    VICKY CHARLES
    Rosa Bonheur (1822-1899) Bonheur was the oldest of four artistic children born to the French landscape painter Raymond Bonheur. Rosa began sketching and sculpting animals at an early age and used her interest in animals to help her learn to read and write. She would sketch an animal for each letter of the alphabet and perfected her form by visiting butcher shops and cattle mark

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  • THE PEOPLES OF THE GREAT NORTH. ART AND CIVILISATION OF SIBERIA
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    THE PEOPLES OF THE GREAT NORTH. ART AND CIVILISATION OF SIBERIA
    MARINA FEDEROVA / VALENTINA GORBATCHEVA
    Documents discovered recently in the hidden backrooms of St Petersburg’s Ethnological Museum have proved to be of sensational importance. The contents are published for the very first time in this work. Representing photos and descriptions of art and sculpture, of everyday utensils and everyday activities, all dating from the beginning of the twentieth century, these are the

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  • THE LADY AND THE UNICORN
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    THE LADY AND THE UNICORN
    SUTHERLAND LYALL
    The legendary medieval tapestry The Lady and the Unicorn is Sutherland Lyall’s starting point for this journey into the world of mythology and mystery which has been woven around the myth of the unicorn and the lady. We learn that the unicorn is the symbol for power and the lady may be mother, mistress or virgin. With an abundant collection of documents form a number of inter

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  • JEAN-ANTOINE WATTEAU
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    JEAN-ANTOINE WATTEAU
    YOURI ZOLOTOV
    Antoine Watteau (1684-1721) epitomises the grace, intelligence, and poetry of the eighteenth century, a period when French tastes reigned supreme throughout Europe. He is renowned as a pivotal figure in Rococo art. Watteau excels in depicting scenes of daily life and theatrical costumes. His work, while highly stylised, reveals an undercurrent of melancholy beneath its apparent

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  • JEAN-HONORÉ FRAGONARD
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    JEAN-HONORÉ FRAGONARD
    EDMOND GONCOURT / JULES GONCOURT / MAGGIORINO DI CALOSSO
    Jean-Honoré Fragonard (1732-1806) punctuates the eighteenth century with a burst of fireworks, closing the arc opened by Watteau with his enchanting poems of love and melancholy. While Watteau was ethereal and profound, Fragonard was delightfully light. He captivates us even as he amuses himself, his emotional distance ever apparent. Specialising in “fêtes galantes” execu

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  • STREET ART EVOLUTION 1970-1990
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    STREET ART EVOLUTION 1970-1990
    CIE CARL / CORNELIA CARL
    This richly illustrated book plunges you into the vibrant and provocative world of graffiti and street art in this wide-ranging exploration of a much-misunderstood culture. Our journey spans the tumultuous birth of graffiti in 1970s New York, to its explosive growth and evolution. Be seduced by the visceral impact of the bright colours and intricate shapes, the hard-hitting soc

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  • GUSTAV KLIMT
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    GUSTAV KLIMT
    JANE ROGOYSKA / JANE ROGOYSKA / PATRICK BADE
    “I am not interested in myself as a subject for painting, but in others, particularly women…”Beautiful, sensuous and above all erotic, Gustav Klimt’s paintings speak of a world of opulence and leisure, which seems aeons away from the harsh, post-modern environment we live in now. The subjects he treats – allegories, portraits, landscapes and erotic figures – contain

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  • HIERONYMUS BOSCH
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    HIERONYMUS BOSCH
    VIRGINIA PITTS REMBERT
    Hieronymus Bosch was painting terrifying, yet strangely likeable, monsters, long before computer games were invented, often with a touch of humour. His works are assertive statements about the mental dangers that befall those who abandon the teachings of Christ. With a life that spanned from 1450 to 1516, Bosch was born at the height of the Renaissance and witnessed its wars of

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  • PETER PAUL RUBENS
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    PETER PAUL RUBENS
    MARIA VARSHAVSKAYA / XENIA YEGOROVA
    Universally celebrated for his rosy and concupiscent nudes, Peter Paul Rubens (1577-1640) was an artist whose first concern was sensuality in all its forms. This Baroque master devoted himself to a lifelong celebration of the joys and wonders of the physical realm. He felt that the human body was as lovely and natural as the many natural landscapes he painted as a young man. In

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  • MICHELANGELO DA CARAVAGGIO
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    MICHELANGELO DA CARAVAGGIO
    FELIX WITTING / FÉLIX WITTING / M.L. PATRIZI / M.L. PATRIZI
    After staying in Milan for his apprenticeship, Michelangelo da Caravaggio arrived in Rome in 1592. There he started to paint with both realism and psychological analysis of the sitters. Caravaggio was as temperamental in his painting as in his wild life. As he also responded to prestigious Church commissions, his dramatic style and his realism were seen as unacceptable. Chiaros

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  • MICHELANGELO
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    MICHELANGELO
    EUGÈNE MÜNTZ
    Michelangelo, like Leonardo, was a man of many talents; sculptor, architect, painter and poet, he made the apotheosis of muscular movement, which to him was the physical manifestation of passion. He moulded his draughtsmanship, bent it, twisted it, and stretched it to the extreme limits of possibility. There are not any landscapes in Michelangelo's painting. All the emotions, a

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  • REMBRANDT
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    REMBRANDT
    EMILE MICHEL / ÉMILE MICHEL
    Rembrandt van Rijn (1606-1669) has long been considered one of the greatest artists in European history. His paintings have launched imitations and homages, including best-selling novels, a recent TV series, and even a handful of popular films. Now, for the first time, this lovely text by Émile Michel is paired with carefully curated selections from Rembrandt’s portfolio to

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  • EDGAR DEGAS
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    EDGAR DEGAS
    EDGAR DEGAS / EDGAR DEGAS / NATALIA BRODSKAYA / NATHALIA BRODSKAYA
    Degas was closest to Renoir in the impressionist’s circle, for both favoured the animated Parisian life of their day as a motif in their paintings. Degas did not attend Gleyre’s studio; most likely he first met the future impressionists at the Café Guerbois. He started his apprenticeship in 1853 at the studio of Louis-Ernest Barrias and, beginning in 1854, studied under Lo

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  • AUGUSTE RODIN
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    AUGUSTE RODIN
    RAINER MARIA RILKE
    Influenced by the masters of Antiquity, the genius of Michelangelo and Baroque sculpture, particularly of Bernini, Auguste Rodin (1840-1917) is one of the most renowned artists in history. Though Rodin is considered a founder of modern sculpture, he did not set out to critique past classical traditions. Many of his sculptures were criticised and considered controversial because

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  • THE PRE-RAPHAELITES
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    THE PRE-RAPHAELITES
    ROBERT DE LA SIZERANNE
    In Victorian England, with the country swept up in the Industrial Revolution, the Pre-Raphaelites, close to William Morris’ Arts and Crafts movement, yearned for a return to bygone values. Wishing to revive the pure and noble forms of the Italian Renaissance, the major painters of the circle (such as John Everett Millais, Dante Gabriel Rossetti and William Holman Hunt) favour

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  • RENAISSANCE ART
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    RENAISSANCE ART
    VICTORIA CHARLES
    The Renaissance began at the end of the 14th century in Italy and had extended across the whole of Europe by the second half of the 16th century. The rediscovery of the splendour of ancient Greece and Rome marked the beginning of the rebirth of the arts following the break-down of the dogmatic certitude of the Middle Ages. A number of artists began to innovate in the domains of

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  • ROCOCO
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    ROCOCO
    KLAUS CARL / VICTORIA CHARLES
    Deriving from the French word rocaille, in reference to the curved forms of shellfish, and the Italian barocco, the French created the term ‘Rococo’. Appearing at the beginning of the 18th century, it rapidly spread to the whole of Europe. Extravagant and light, Rococo responded perfectly to the spontaneity of the aristocracy of the time. In many aspects, this art was linke

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  • POST-IMPRESSIONISM
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    POST-IMPRESSIONISM
    NATHALIA BRODSKAYA / NATHALIA BRODSKAÏA
    Whilst Impressionism marked the first steps toward modern painting by revolutionising an artistic medium stifled by academic conventions, Post-Impressionism, even more revolutionary, completely liberated colour and opened it to new, unknown horizons. Anchored in his epoch, relying on the new chromatic studies of Michel Eugène Chevreul, Georges Seurat transcribed the chemist’

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  • ROMANESQUE ART
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    ROMANESQUE ART
    KLAUS CARL / VICTORIA CHARLES
    In art history, the term ‘Romanesque art’ distinguishes the period between the beginning of the 11th and the end of the 12th century. This era showed a great diversity of regional schools each with their own unique style. In architecture as well as in sculpture, Romanesque art is marked by raw forms. Through its rich iconography and captivating text, this work reclaims the

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