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Editorial : PARKSTONE INTERNATIONAL

1315 resultados para Editorial : PARKSTONE INTERNATIONAL

PARKSTONE INTERNATIONAL eBooks Quitar filtros
  • ALBRECHT DÜRER 1471-1528
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    ALBRECHT DÜRER 1471-1528
    VICTORIA CHARLES
    Albrecht Dürer (1471-1528) is widely regarded as one of the most significant artists of the Northern Renaissance. Born in Nuremberg, Germany, Dürer became renowned for his mastery of various mediums, including painting, printmaking, and wood-cutting. Throughout his life, Dürer produced a vast array of works that demonstrated his technical skill and innovative vision. His art

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  • ROSA BONHEUR. AN UNCONVENTIONAL PATH
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    ROSA BONHEUR. AN UNCONVENTIONAL PATH
    VICKY CHARLES
    Rosa Bonheur (1822-1899) Bonheur was the oldest of four artistic children born to the French landscape painter Raymond Bonheur. Rosa began sketching and sculpting animals at an early age and used her interest in animals to help her learn to read and write. She would sketch an animal for each letter of the alphabet and perfected her form by visiting butcher shops and cattle mark

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  • THE PEOPLES OF THE GREAT NORTH. ART AND CIVILISATION OF SIBERIA
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    THE PEOPLES OF THE GREAT NORTH. ART AND CIVILISATION OF SIBERIA
    MARINA FEDEROVA / VALENTINA GORBATCHEVA
    Documents discovered recently in the hidden backrooms of St Petersburg’s Ethnological Museum have proved to be of sensational importance. The contents are published for the very first time in this work. Representing photos and descriptions of art and sculpture, of everyday utensils and everyday activities, all dating from the beginning of the twentieth century, these are the

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  • THE LADY AND THE UNICORN
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    THE LADY AND THE UNICORN
    SUTHERLAND LYALL
    The legendary medieval tapestry The Lady and the Unicorn is Sutherland Lyall’s starting point for this journey into the world of mythology and mystery which has been woven around the myth of the unicorn and the lady. We learn that the unicorn is the symbol for power and the lady may be mother, mistress or virgin. With an abundant collection of documents form a number of inter

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  • JEAN-ANTOINE WATTEAU
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    JEAN-ANTOINE WATTEAU
    YOURI ZOLOTOV
    Antoine Watteau (1684-1721) epitomises the grace, intelligence, and poetry of the eighteenth century, a period when French tastes reigned supreme throughout Europe. He is renowned as a pivotal figure in Rococo art. Watteau excels in depicting scenes of daily life and theatrical costumes. His work, while highly stylised, reveals an undercurrent of melancholy beneath its apparent

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  • JEAN-HONORÉ FRAGONARD
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    JEAN-HONORÉ FRAGONARD
    EDMOND GONCOURT / JULES GONCOURT / MAGGIORINO DI CALOSSO
    Jean-Honoré Fragonard (1732-1806) punctuates the eighteenth century with a burst of fireworks, closing the arc opened by Watteau with his enchanting poems of love and melancholy. While Watteau was ethereal and profound, Fragonard was delightfully light. He captivates us even as he amuses himself, his emotional distance ever apparent. Specialising in “fêtes galantes” execu

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  • STREET ART EVOLUTION 1970-1990
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    STREET ART EVOLUTION 1970-1990
    CIE CARL / CORNELIA CARL
    This richly illustrated book plunges you into the vibrant and provocative world of graffiti and street art in this wide-ranging exploration of a much-misunderstood culture. Our journey spans the tumultuous birth of graffiti in 1970s New York, to its explosive growth and evolution. Be seduced by the visceral impact of the bright colours and intricate shapes, the hard-hitting soc

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  • WILLIAM BLAKE
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    WILLIAM BLAKE
    OSBERT BURDETT
    Poet, draughtsman, engraver and painter, William Blake’s work is made up of several elements – Gothic art, Germanic reverie, the Bible, Milton and Shakespeare – to which were added Dante and a certain taste for linear designs, resembling geometric diagrams, and relates him to the great classical movement inspired by Winckelmann and propagated by David. This is the sole po

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  • MALEVICH
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    MALEVICH
    GERRY SOUTER
    Kasimir Malevich (1878-1935) was a painter and a great art theorist, but first and foremost he was the founder of Suprematism, a style seeking pure abstraction based on geometrical forms. “Suprematism,” he wrote, “has led me to discover something that had not been understood until then… There is in human consciousness an imperious desire of space and the will to escape

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  • THE ART OF CHAMPA
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    THE ART OF CHAMPA
    JEAN-FRANÇOIS HUBERT
    In the 5th century, the Champa kingdom held sway over a large area of today’s Vietnam. Several magnificent structures still testify to their former presence in the Nha Trang region. Cham sculpture was worked in a variety of materials, principally sandstone, but also gold, silver and bronze. It was primarily used to illustrate themes from Indian mythology. The kingdom was grad

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  • THE SPLENDOR OF ENGLISH GOTHIC ARCHITECTURE
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    THE SPLENDOR OF ENGLISH GOTHIC ARCHITECTURE
    JOHN SHANNON HENDRIX
    This book explains and celebrates the richness of Englishchurches and cathedrals, which have a major place inmedieval architecture. The English Gothic style developedsomewhat later than in France, but rapidly developed itsown architectural and ornamental codes. The author, John Shannon Hendrix, classifies English Gothic architecture in four principal stages: the early English G

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  • LANDSCAPES
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    LANDSCAPES
    EMILE MICHEL / ÉMILE MICHEL
    Although considered a minor genre for a long time, the art of landscape has risen above its forebears - religious and historic painting - to become a genre of its own. Giorgione in Italy, the Brueghels of the Flemish School, Claude Lorrain and Poussain of the French School, the Dutch landscape painters and Turner and Constable of England are just a few of the great landscapists

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  • BOSCH
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    BOSCH
    VIRGINIA PITTS REMBERT
    Hieronymus Bosch was painting frightening, yet vaguely likable monsters long before computer games were ever invented, often including a touch of humour. His works are assertive statements about the mental illness that befalls any man who abandons the teachings of Christ. With a life that spanned from 1450 to 1516, Bosch experienced the drama of the highly charged Renaissance a

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  • ICONS
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    ICONS
    NIKODIM PAVLOVICH KONDAKOV
    Icon painting has reached its zenith in Ukraine between the 11th and 18th centuries. This art is appealing because of its great openness to other influences – the obedience to the rules of Orthodox Christianity in its early stages, the borrowing from Roman heritage or later to the Western breakthroughs – combined with a never compromised assertion of a distinctly Slavic sou

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  • DECORATIVE ART
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    DECORATIVE ART
    ALBERT JAQUEMART
    From the Middle Ages to contemporary times, decorative art can be defined by the artistic materials, designs and objects used in both architecture and interior design. Similar to many art forms decorative art continues to evolve, originating with pieces as simple as a chair, noted for its utility, to purely ornamental objects, celebrated for their aesthetic beauty. Decorative A

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  • MUSIC AND EROS
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    MUSIC AND EROS
    HANS-JÜRGEN DÖPP
    Music is not only a pleasure for the ear, it is the echo of the heartbeat, breath and desire. Professor Döpp revisits music as the catalyst for dance, love and sex. From the music sheet to dance and through instruments, music is the expression of our profound desires and most violent passions. The text revisits the history of music and art from the dances of the first men to p

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  • THE LIFE AND MASTERWORKS OF J.M.W. TURNER
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    THE LIFE AND MASTERWORKS OF J.M.W. TURNER
    ERIC SHANES
    At fifteen, Turner was already exhibiting View of Lambeth. He soon acquired the reputation of an immensely clever watercolourist. A disciple of Girtin and Cozens, he showed in his choice and presentation of theme a picturesque imagination which seemed to mark him out for a brilliant career as an illustrator. He travelled, first in his native land and then on several occasions i

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  • ENGLISH PAINTING
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    ENGLISH PAINTING
    ERNEST CHESNEAU
    The English school of painting was officially recognised at the beginning of the 18th century through the work of William Hogarth. It includes works by the most famous English artists, such as Thomas Gainsborough, Joseph Mallord William Turner, John Constable, Edward Burne-Jones, and Dante Gabriel Rossetti. This subject is introduced with a very unique text, published in 1882:

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  • GREEK SCULPTURE
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    GREEK SCULPTURE
    EDMUND VON MACH
    Greek Sculpture is probably the most well known aspect of Greek art, for a contemporary it expresses the most beautiful ideal and plastic perfection. It is the first of the Ancient Arts that looked to free itself from the imitative constraints, of the faithful representation of nature. Only a small part of the production of Greek Sculpture is known to us. Many of the masterp

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  • CANALETTO
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    CANALETTO
    OCTAVE UZANNE
    Canaletto began his career as a theatrical scene painter, like his father, in the Baroque tradition. Influenced by Giovanni Panini, he is specialised in vedute (views) of Venice, his birth place. Strong contrast between light and shadow is typical of this artist. Furthermore, if some of those views are purely topographical, others include festivals or ceremonial subjects. He al

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