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Editorial : PARKSTONE INTERNATIONAL / Materia : Arquitectura

812 resultados para Editorial : PARKSTONE INTERNATIONAL / Materia : Arquitectura

Arte, cine y fotografía / Arquitectura
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  • ALBRECHT DÜRER 1471-1528
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    ALBRECHT DÜRER 1471-1528
    VICTORIA CHARLES
    Albrecht Dürer (1471-1528) is widely regarded as one of the most significant artists of the Northern Renaissance. Born in Nuremberg, Germany, Dürer became renowned for his mastery of various mediums, including painting, printmaking, and wood-cutting. Throughout his life, Dürer produced a vast array of works that demonstrated his technical skill and innovative vision. His art

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  • ROSA BONHEUR. AN UNCONVENTIONAL PATH
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    ROSA BONHEUR. AN UNCONVENTIONAL PATH
    VICKY CHARLES
    Rosa Bonheur (1822-1899) Bonheur was the oldest of four artistic children born to the French landscape painter Raymond Bonheur. Rosa began sketching and sculpting animals at an early age and used her interest in animals to help her learn to read and write. She would sketch an animal for each letter of the alphabet and perfected her form by visiting butcher shops and cattle mark

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  • JEAN-ANTOINE WATTEAU
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    JEAN-ANTOINE WATTEAU
    YOURI ZOLOTOV
    Antoine Watteau (1684-1721) epitomises the grace, intelligence, and poetry of the eighteenth century, a period when French tastes reigned supreme throughout Europe. He is renowned as a pivotal figure in Rococo art. Watteau excels in depicting scenes of daily life and theatrical costumes. His work, while highly stylised, reveals an undercurrent of melancholy beneath its apparent

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  • JEAN-HONORÉ FRAGONARD
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    JEAN-HONORÉ FRAGONARD
    EDMOND GONCOURT / JULES GONCOURT / MAGGIORINO DI CALOSSO
    Jean-Honoré Fragonard (1732-1806) punctuates the eighteenth century with a burst of fireworks, closing the arc opened by Watteau with his enchanting poems of love and melancholy. While Watteau was ethereal and profound, Fragonard was delightfully light. He captivates us even as he amuses himself, his emotional distance ever apparent. Specialising in “fêtes galantes” execu

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  • GUSTAV KLIMT
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    GUSTAV KLIMT
    JANE ROGOYSKA / JANE ROGOYSKA / PATRICK BADE
    “I am not interested in myself as a subject for painting, but in others, particularly women…”Beautiful, sensuous and above all erotic, Gustav Klimt’s paintings speak of a world of opulence and leisure, which seems aeons away from the harsh, post-modern environment we live in now. The subjects he treats – allegories, portraits, landscapes and erotic figures – contain

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  • HIERONYMUS BOSCH
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    HIERONYMUS BOSCH
    VIRGINIA PITTS REMBERT
    Hieronymus Bosch was painting terrifying, yet strangely likeable, monsters, long before computer games were invented, often with a touch of humour. His works are assertive statements about the mental dangers that befall those who abandon the teachings of Christ. With a life that spanned from 1450 to 1516, Bosch was born at the height of the Renaissance and witnessed its wars of

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  • PETER PAUL RUBENS
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    PETER PAUL RUBENS
    MARIA VARSHAVSKAYA / XENIA YEGOROVA
    Universally celebrated for his rosy and concupiscent nudes, Peter Paul Rubens (1577-1640) was an artist whose first concern was sensuality in all its forms. This Baroque master devoted himself to a lifelong celebration of the joys and wonders of the physical realm. He felt that the human body was as lovely and natural as the many natural landscapes he painted as a young man. In

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  • MICHELANGELO DA CARAVAGGIO
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    MICHELANGELO DA CARAVAGGIO
    FELIX WITTING / FÉLIX WITTING / M.L. PATRIZI / M.L. PATRIZI
    After staying in Milan for his apprenticeship, Michelangelo da Caravaggio arrived in Rome in 1592. There he started to paint with both realism and psychological analysis of the sitters. Caravaggio was as temperamental in his painting as in his wild life. As he also responded to prestigious Church commissions, his dramatic style and his realism were seen as unacceptable. Chiaros

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  • MICHELANGELO
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    MICHELANGELO
    EUGÈNE MÜNTZ
    Michelangelo, like Leonardo, was a man of many talents; sculptor, architect, painter and poet, he made the apotheosis of muscular movement, which to him was the physical manifestation of passion. He moulded his draughtsmanship, bent it, twisted it, and stretched it to the extreme limits of possibility. There are not any landscapes in Michelangelo's painting. All the emotions, a

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  • REMBRANDT
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    REMBRANDT
    EMILE MICHEL / ÉMILE MICHEL
    Rembrandt van Rijn (1606-1669) has long been considered one of the greatest artists in European history. His paintings have launched imitations and homages, including best-selling novels, a recent TV series, and even a handful of popular films. Now, for the first time, this lovely text by Émile Michel is paired with carefully curated selections from Rembrandt’s portfolio to

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  • EDGAR DEGAS
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    EDGAR DEGAS
    EDGAR DEGAS / EDGAR DEGAS / NATALIA BRODSKAYA / NATHALIA BRODSKAYA
    Degas was closest to Renoir in the impressionist’s circle, for both favoured the animated Parisian life of their day as a motif in their paintings. Degas did not attend Gleyre’s studio; most likely he first met the future impressionists at the Café Guerbois. He started his apprenticeship in 1853 at the studio of Louis-Ernest Barrias and, beginning in 1854, studied under Lo

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  • AUGUSTE RODIN
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    AUGUSTE RODIN
    RAINER MARIA RILKE
    Influenced by the masters of Antiquity, the genius of Michelangelo and Baroque sculpture, particularly of Bernini, Auguste Rodin (1840-1917) is one of the most renowned artists in history. Though Rodin is considered a founder of modern sculpture, he did not set out to critique past classical traditions. Many of his sculptures were criticised and considered controversial because

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  • BAROQUE ART
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    BAROQUE ART
    KLAUS CARL / KLAUS H. CARL / VICTORIA CHARLES
    The Baroque period lasted from the beginning of the seventeenth century to the middle of the eighteenth century. Baroque art was artists’ response to the Catholic Church’s demand for solemn grandeur following the Council of Trent, and through its monumentality and grandiloquence it seduced the great European courts. Amongst the Baroque arts, architecture has, without doubt,

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  • ÉMILE GALLÉ
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    ÉMILE GALLÉ
    ÉMILE GALLÉ
    An icon in the Art Nouveau movement, Émile Gallé (1846-1904) sought to portray the beauty and simplicity of nature in his glass art. His designs, referred to as “poetry in glass”, range from fine pottery to jewellery to furniture. Everything Gallé produced contains traces of his masterful technique which reflects his innovativeness as an artist and his skill as a designe

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  • WILLIAM BLAKE
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    WILLIAM BLAKE
    OSBERT BURDETT
    Poet, draughtsman, engraver and painter, William Blake’s work is made up of several elements – Gothic art, Germanic reverie, the Bible, Milton and Shakespeare – to which were added Dante and a certain taste for linear designs, resembling geometric diagrams, and relates him to the great classical movement inspired by Winckelmann and propagated by David. This is the sole po

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  • MALEVICH
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    MALEVICH
    GERRY SOUTER
    Kasimir Malevich (1878-1935) was a painter and a great art theorist, but first and foremost he was the founder of Suprematism, a style seeking pure abstraction based on geometrical forms. “Suprematism,” he wrote, “has led me to discover something that had not been understood until then… There is in human consciousness an imperious desire of space and the will to escape

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  • THE SPLENDOR OF ENGLISH GOTHIC ARCHITECTURE
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    THE SPLENDOR OF ENGLISH GOTHIC ARCHITECTURE
    JOHN SHANNON HENDRIX
    This book explains and celebrates the richness of Englishchurches and cathedrals, which have a major place inmedieval architecture. The English Gothic style developedsomewhat later than in France, but rapidly developed itsown architectural and ornamental codes. The author, John Shannon Hendrix, classifies English Gothic architecture in four principal stages: the early English G

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  • BOSCH
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    BOSCH
    VIRGINIA PITTS REMBERT
    Hieronymus Bosch was painting frightening, yet vaguely likable monsters long before computer games were ever invented, often including a touch of humour. His works are assertive statements about the mental illness that befalls any man who abandons the teachings of Christ. With a life that spanned from 1450 to 1516, Bosch experienced the drama of the highly charged Renaissance a

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  • FRA ANGELICO
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    FRA ANGELICO
    STEPHAN BEISSEL
    Secluded within cloister walls, a painter and a monk, and brother of the order of the Dominicans, Angelico devoted his life to religious paintings. Little is known of his early life except that he was born at Vicchio, in the broad fertile valley of the Mugello, not far from Florence, that his name was Guido de Pietro, and that he passed his youth in Florence, probably in some b

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  • THE BRUEGHELS
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    THE BRUEGHELS
    EMILE MICHEL / VICTORIA CHARLES
    Pieter Brueghel was the first important member of a family of artists who were active for four generations. Firstly a drawer before becoming a painter later, he painted religious themes, such as Babel Tower, with very bright colours. Influenced by Hieronymus Bosch, he painted large, complex scenes of peasant life and scripture or spiritual allegories, often with crowds of subje

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