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Editorial : PARKSTONE INTERNATIONAL / Materia : Humanidades y Ciencias Sociales

298 resultados para Editorial : PARKSTONE INTERNATIONAL / Materia : Humanidades y Ciencias Sociales

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  • THE ART OF CHAMPA
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    THE ART OF CHAMPA
    JEAN-FRANÇOIS HUBERT
    In the 5th century, the Champa kingdom held sway over a large area of today’s Vietnam. Several magnificent structures still testify to their former presence in the Nha Trang region. Cham sculpture was worked in a variety of materials, principally sandstone, but also gold, silver and bronze. It was primarily used to illustrate themes from Indian mythology. The kingdom was grad

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  • LANDSCAPES
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    LANDSCAPES
    EMILE MICHEL / ÉMILE MICHEL
    Although considered a minor genre for a long time, the art of landscape has risen above its forebears - religious and historic painting - to become a genre of its own. Giorgione in Italy, the Brueghels of the Flemish School, Claude Lorrain and Poussain of the French School, the Dutch landscape painters and Turner and Constable of England are just a few of the great landscapists

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  • BOSCH
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    BOSCH
    VIRGINIA PITTS REMBERT
    Hieronymus Bosch was painting frightening, yet vaguely likable monsters long before computer games were ever invented, often including a touch of humour. His works are assertive statements about the mental illness that befalls any man who abandons the teachings of Christ. With a life that spanned from 1450 to 1516, Bosch experienced the drama of the highly charged Renaissance a

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  • GREEK SCULPTURE
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    GREEK SCULPTURE
    EDMUND VON MACH
    Greek Sculpture is probably the most well known aspect of Greek art, for a contemporary it expresses the most beautiful ideal and plastic perfection. It is the first of the Ancient Arts that looked to free itself from the imitative constraints, of the faithful representation of nature. Only a small part of the production of Greek Sculpture is known to us. Many of the masterp

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  • TAIWAN ART & CIVILIZATION
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    TAIWAN ART & CIVILIZATION
    HSIU-HUEI WANG
    Taiwan's specific situation in Asia is the source of its thorn past. Situated in the South East of China, Taiwan was at the crossroads of many maritime routes and squeezed between its neighbors, China and Japan. After centuries of foreign occupation, Taiwan has a unique history. Taiwan, Art and Civilization sheds light on Taiwan's beautiful scenery as well as its colorful histo

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  • IMPRESSIONS OF UKIYO-E
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    IMPRESSIONS OF UKIYO-E
    DORA AMSDEN / DORA AMSDEN / WOLDEMAR VON SEIDLITZ
    Ukiyo-e (‘pictures of the floating world’) is a branch of Japanese art which originated during the period of prosperity in Edo (1615-1868). Characteristic of this period, the prints are the collective work of an artist, an engraver, and a printer. Created on account of their low cost thanks to the progression of the technique, they represent daily life, women, actors of kab

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  • ART OF THE DEVIL
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    ART OF THE DEVIL
    ARTURO GRAF
    “The Devil holds the strings which move us!” (Charles Baudelaire, The Flowers of Evil, 1857.) Satan, Beelzebub, Lucifer… the Devil has many names and faces, all of which have always served artists as a source of inspiration. Often commissioned by religious leaders as images of fear or veneration, depending on the society, representations of the underworld served to instru

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  • EL RENACIMIENTO
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    EL RENACIMIENTO
    VICTORIA CHARLES
    El Renacimiento se inició a finales del siglo catorce en Italia y ya estaba extendido por toda Europa en la segunda mitad del siglo dieciséis. El redescubrimiento del esplendor de la antigua Grecia y Roma supuso el comienzo del renacimiento de las artes como consecuencia de la descomposición de la certeza dogmática de la Edad Media. Surgió una generación de artistas que c

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  • MODERNISMO - LA RUPTURA CON EL PASADO
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    MODERNISMO - LA RUPTURA CON EL PASADO
    JEAN LAHOR
    La expresión Art Nouveau hace referencia a un estilo decorativo y arquitectónico desarrollado en Occidente en las décadas de 1880 y 1890. Nacido como reacción a la revolución industrial y al vacío creativo que dejó tras de sí, el Art Nouveau fue el núcleo de un “renacimiento” de las artes decorativas. El objetivo fundamental del movimiento era la creación de una n

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  • ARTE NAIF
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    ARTE NAIF
    NATHALIA BRODSKAÏA
    El arte naif se hizo popular por primera vez a finales del siglo diecinueve. Hasta ese momento, esta forma de expresión creada por artistas sin formación y caracterizados por su espontaneidad y simplicidad contaba con poco reconocimiento entre los artistas profesionales y los críticos de arte. Influenciada por las artes primitivas, la pintura naif se caracteriza por la fluid

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  • EL SIMBOLISMO
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    EL SIMBOLISMO
    NATHALIA BRODSKAÏA
    El Simbolismo apareció en Francia y Europa entre la década de 1880 y el principio del siglo veinte. Los simbolistas, fascinados por la mitología de la Antigüedad, intentaban escapar del reino del pensamiento racional impuesto por la ciencia. Deseaban trascender el mundo de lo visible y lo racional para alcanzar el mundo del pensamiento puro, coqueteando constantemente con l

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  • MIGUEL ÁNGEL - NINGÚN ARTISTA, NUNCA EN LA VIDA, CONSEGUIRÁ LOGRAR ESTA PERFECCIÓN.
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    MIGUEL ÁNGEL - NINGÚN ARTISTA, NUNCA EN LA VIDA, CONSEGUIRÁ LOGRAR ESTA PERFECCIÓN.
    EUGÈNE MÜNTZ
    La leyenda de Miguel Ángel (1475-1564) ha permanecido incólume durante quinientos años. Eruditos como Chateaubriand, Manzoni y Rilke vieron en él un maestro de la renovación del arte occidental. En efecto, dotado con un genio creativo casi sobrehumano, Miguel Ángel encarna al “hombre universal” del Renacimiento italiano, y la calidad y alcance de su obra son incompara

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  • REMBRANDT - UNO DE LOS GRANDES PROFETAS DE LA CIVILIZACIÓN»
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    REMBRANDT - UNO DE LOS GRANDES PROFETAS DE LA CIVILIZACIÓN»
    ÉMILE MICHEL
    Un cuadro de Rembrandt es una entidad viva que existe según sus propias leyes, que refleja la multiplicidad de pensamientos y de emociones presentes en la mente del pintor. El hombre y su disposición mental: éste es el problema fundamental que ocupa al artista a lo largo de toda su vida. Atormentado por problemas familiares, se refugió en la pintura, la cual se volvía más

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  • SALVADOR DALÍ «YO SOY EL SURREALISMO»
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    SALVADOR DALÍ «YO SOY EL SURREALISMO»
    VICTORIA CHARLES / ERIC SHANES
    Salvador Dalí (1904-1989), conocido principalmente por su estilo único y grandilocuente, puede presumir de un repertorio extraordinario donde concurren cine, escultura, fotografía y, por supuesto, pintura. Mientras que su nombre es a menudo asociado, con razón, al surrealismo, Dalí demostró su maestría en géneros tan dispares como el clasicismo, el modernismo y el cubis

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  • WESTERN EUROPEAN ILLUMINATED MANUSCRIPTS
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    WESTERN EUROPEAN ILLUMINATED MANUSCRIPTS
    ANRDEI STERLIGOV / TAMARA VORONOVA
    Anyone fortunate enough to have actually held a medieval manuscript in his hands must have felt excited at this immediate contact with the past. Both famous and unknown authors wrote philosophical, natural scientific and theological treatises, romances about knights and courtly love; humanists and theologists translated and commented upon the classical literature of antiquity;

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  • LEONARDO DA VINCI - ARTIST, PAINTER OF THE RENAISSANCE
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    LEONARDO DA VINCI - ARTIST, PAINTER OF THE RENAISSANCE
    EUGÈNE MÜNTZ
    “Studying nature with passion, and all the independence proper to his character, he could not fail to combine precision with liberty, and truth with beauty. It is in this final emancipation, this perfect mastery of modelling, of illumination, and of expression, this breadth and freedom, that the master’s raison d’être and glory consist. Others may have struck out new pat

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  • LEONARDO DA VINCI - THINKER AND MAN OF SCIENCE
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    LEONARDO DA VINCI - THINKER AND MAN OF SCIENCE
    EUGÈNE MÜNTZ
    Not only was Leonardo da Vinci (1453-1519) an astonishing painter, but also a scientist, anatomist, sculptor, architect, musician, engineer, inventor, and more. The question is rather, what was he not? During the Italian Renaissance, he mastered the most beautiful works of art for the Medicis’ in Italy and for the King of France. He aroused admiration from his contemporaries,

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  • HIERONYMUS BOSCH
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    HIERONYMUS BOSCH
    VIRGINIA PITTS REMBERT
    Hieronymus Bosch was painting terrifying, yet strangely likeable, monsters, long before computer games were invented, often with a touch of humour. His works are assertive statements about the mental dangers that befall those who abandon the teachings of Christ. With a life that spanned from 1450 to 1516, Bosch was born at the height of the Renaissance and witnessed its wars of

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  • REMBRANDT
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    REMBRANDT
    EMILE MICHEL / ÉMILE MICHEL
    Rembrandt van Rijn (1606-1669) has long been considered one of the greatest artists in European history. His paintings have launched imitations and homages, including best-selling novels, a recent TV series, and even a handful of popular films. Now, for the first time, this lovely text by Émile Michel is paired with carefully curated selections from Rembrandt’s portfolio to

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  • ROMANESQUE ART
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    ROMANESQUE ART
    KLAUS CARL / VICTORIA CHARLES
    In art history, the term ‘Romanesque art’ distinguishes the period between the beginning of the 11th and the end of the 12th century. This era showed a great diversity of regional schools each with their own unique style. In architecture as well as in sculpture, Romanesque art is marked by raw forms. Through its rich iconography and captivating text, this work reclaims the

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