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    Arte, cine y fotografía Arte

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1966 resultados para Ebooks de Arte

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  • THE ARTS & CRAFTS MOVEMENT
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    THE ARTS & CRAFTS MOVEMENT
    OSCAR LOVELL TRIGGS
    “Have nothing in your house that you do not know to be useful, or believe to be beautiful.” This quote alone from William Morris could summarise the ideology of the Arts & Crafts movement, which triggered a veritable reform in the applied arts in England. Founded by John Ruskin, then put into practice by William Morris, the Arts & Crafts movement promoted revolutionary idea

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  • NAIVE ART
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    NAIVE ART
    NATHALIA BRODSKAYA / NATHALIA BRODSKAÏA
    Naive art first became popular at the end of the 19th century. Until that time, this form of expression, created by untrained artists and characterised by spontaneity and simplicity, enjoyed little recognition from professional artists and art critics. Influenced by primitive arts, naive painting is distinguished by the fluidity of its lines, vivacity, and joyful colours, as we

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  • EARLY ITALIAN PAINTING
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    EARLY ITALIAN PAINTING
    ANNA JAMESON / ANNA JAMESON / GIOVANNI BATTISTA CAVALCASELLE / GIOVANNI BATTISTA CAVALCASELLE / JOSEPH ARCHER CROWE
    Oscillating between the majesty of the Greco-Byzantine tradition and the modernity predicted by Giotto, Early Italian Painting addresses the first important aesthetic movement that would lead to the Renaissance, the Italian Primitives. Trying new mediums and techniques, these revolutionary artists no longer painted frescos on walls, but created the first mobile paintings on woo

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  • ROMANTICISM
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    ROMANTICISM
    LÉON ROSENTHAL
    Romanticism was a reaction against the Neoclassicism that invaded the 19th century, and marked a veritable intellectual rupture. Found in the writings of Victor Hugo and Lord Byron, amongst others, its ideas are expressed in painting by Eugène Delacroix, Caspar David Friedrich and William Blake. In sculpture, François Rude indicated the direction this new artistic freedom wou

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  • SYMBOLISM
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    SYMBOLISM
    NATHALIA BRODSKAYA / NATHALIA BRODSKAÏA
    Symbolism appeared in France and Europe between the 1880s and the beginning of the 20th century. The Symbolists, fascinated with ancient mythology, attempted to escape the reign of rational thought imposed by science. They wished to transcend the world of the visible and the rational in order to attain the world of pure thought, constantly flirting with the limits of the uncons

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  • BYZANTINE ART
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    BYZANTINE ART
    CHARLES BAYET
    For more than a millennium, from its creation in 330 CE until its fall in 1453, the Byzantine Empire was a cradle of artistic effervescence that is only beginning to be rediscovered. Endowed with the rich heritage of Roman, Eastern, and Christian cultures, Byzantine artists developed an architectural and pictorial tradition, marked by symbolism, whose influence extended far bey

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  • ART NOUVEAU
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    ART NOUVEAU
    JEAN LAHOR / JEAN LAHOR
    Art Nouveau gives a name to the decorative and architectural style developed in the 1880s and 1890s in the West. Born in reaction to the Industrial Revolution and to the creative vacuum it left behind, Art Nouveau was at the heart of a “renaissance” in the decorative arts. The primary objective of the movement was the creation of a new aesthetic of nature through a return t

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  • CUBISM
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    CUBISM
    DOROTHEA EIMERT / GUILLAUME APOLLINAIRE
    Les Demoiselles d’Avignon: five young women that changed modern art forever. Faces seen simultaneously from the front and in profile, angular bodies whose once voluptuous feminine forms disappear behind asymmetric lines - with this work, Picasso revolutionised the entire history of painting. Cubism was thus born in 1907. Transforming natural forms into cylinders and cubes, pa

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  • ENCAUSTIC ART
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    ENCAUSTIC ART
    JENNIFER MARGELL
    Encaustic painting is one of the world’s most venerable art forms, having been practised consistently around the world since the ancient Egyptians first used it to decorate sarcophagi, and enjoying continuing popularity in the modern era with artists such as Paul Klee and Diego Rivera. In this new text, Jennifer Margell offers readers a comprehensive introduction to the mediu

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  • WILLIAM BLAKE
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    WILLIAM BLAKE
    OSBERT BURDETT
    Poet, draughtsman, engraver and painter, William Blake’s work is made up of several elements – Gothic art, Germanic reverie, the Bible, Milton and Shakespeare – to which were added Dante and a certain taste for linear designs, resembling geometric diagrams, and relates him to the great classical movement inspired by Winckelmann and propagated by David. This is the sole po

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  • MALEVICH
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    MALEVICH
    GERRY SOUTER
    Kasimir Malevich (1878-1935) was a painter and a great art theorist, but first and foremost he was the founder of Suprematism, a style seeking pure abstraction based on geometrical forms. “Suprematism,” he wrote, “has led me to discover something that had not been understood until then… There is in human consciousness an imperious desire of space and the will to escape

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  • THE ART OF CHAMPA
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    THE ART OF CHAMPA
    JEAN-FRANÇOIS HUBERT
    In the 5th century, the Champa kingdom held sway over a large area of today’s Vietnam. Several magnificent structures still testify to their former presence in the Nha Trang region. Cham sculpture was worked in a variety of materials, principally sandstone, but also gold, silver and bronze. It was primarily used to illustrate themes from Indian mythology. The kingdom was grad

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  • THE SPLENDOR OF ENGLISH GOTHIC ARCHITECTURE
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    THE SPLENDOR OF ENGLISH GOTHIC ARCHITECTURE
    JOHN SHANNON HENDRIX
    This book explains and celebrates the richness of Englishchurches and cathedrals, which have a major place inmedieval architecture. The English Gothic style developedsomewhat later than in France, but rapidly developed itsown architectural and ornamental codes. The author, John Shannon Hendrix, classifies English Gothic architecture in four principal stages: the early English G

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  • LANDSCAPES
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    LANDSCAPES
    EMILE MICHEL / ÉMILE MICHEL
    Although considered a minor genre for a long time, the art of landscape has risen above its forebears - religious and historic painting - to become a genre of its own. Giorgione in Italy, the Brueghels of the Flemish School, Claude Lorrain and Poussain of the French School, the Dutch landscape painters and Turner and Constable of England are just a few of the great landscapists

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  • BOSCH
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    BOSCH
    VIRGINIA PITTS REMBERT
    Hieronymus Bosch was painting frightening, yet vaguely likable monsters long before computer games were ever invented, often including a touch of humour. His works are assertive statements about the mental illness that befalls any man who abandons the teachings of Christ. With a life that spanned from 1450 to 1516, Bosch experienced the drama of the highly charged Renaissance a

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  • ICONS
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    ICONS
    NIKODIM PAVLOVICH KONDAKOV
    Icon painting has reached its zenith in Ukraine between the 11th and 18th centuries. This art is appealing because of its great openness to other influences – the obedience to the rules of Orthodox Christianity in its early stages, the borrowing from Roman heritage or later to the Western breakthroughs – combined with a never compromised assertion of a distinctly Slavic sou

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  • DECORATIVE ART
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    DECORATIVE ART
    ALBERT JAQUEMART
    From the Middle Ages to contemporary times, decorative art can be defined by the artistic materials, designs and objects used in both architecture and interior design. Similar to many art forms decorative art continues to evolve, originating with pieces as simple as a chair, noted for its utility, to purely ornamental objects, celebrated for their aesthetic beauty. Decorative A

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  • FRA ANGELICO
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    FRA ANGELICO
    STEPHAN BEISSEL
    Secluded within cloister walls, a painter and a monk, and brother of the order of the Dominicans, Angelico devoted his life to religious paintings. Little is known of his early life except that he was born at Vicchio, in the broad fertile valley of the Mugello, not far from Florence, that his name was Guido de Pietro, and that he passed his youth in Florence, probably in some b

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  • THE BRUEGHELS
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    THE BRUEGHELS
    EMILE MICHEL / VICTORIA CHARLES
    Pieter Brueghel was the first important member of a family of artists who were active for four generations. Firstly a drawer before becoming a painter later, he painted religious themes, such as Babel Tower, with very bright colours. Influenced by Hieronymus Bosch, he painted large, complex scenes of peasant life and scripture or spiritual allegories, often with crowds of subje

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  • ART OF THE DEVIL
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    ART OF THE DEVIL
    ARTURO GRAF
    “The Devil holds the strings which move us!” (Charles Baudelaire, The Flowers of Evil, 1857.) Satan, Beelzebub, Lucifer… the Devil has many names and faces, all of which have always served artists as a source of inspiration. Often commissioned by religious leaders as images of fear or veneration, depending on the society, representations of the underworld served to instru

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