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Editorial : PARKSTONE INTERNATIONAL / Materia : Arte

1201 resultados para Editorial : PARKSTONE INTERNATIONAL / Materia : Arte

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  • TAIWAN ART & CIVILIZATION
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    TAIWAN ART & CIVILIZATION
    HSIU-HUEI WANG
    Taiwan's specific situation in Asia is the source of its thorn past. Situated in the South East of China, Taiwan was at the crossroads of many maritime routes and squeezed between its neighbors, China and Japan. After centuries of foreign occupation, Taiwan has a unique history. Taiwan, Art and Civilization sheds light on Taiwan's beautiful scenery as well as its colorful histo

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  • IMPRESSIONS OF UKIYO-E
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    IMPRESSIONS OF UKIYO-E
    DORA AMSDEN / DORA AMSDEN / WOLDEMAR VON SEIDLITZ
    Ukiyo-e (‘pictures of the floating world’) is a branch of Japanese art which originated during the period of prosperity in Edo (1615-1868). Characteristic of this period, the prints are the collective work of an artist, an engraver, and a printer. Created on account of their low cost thanks to the progression of the technique, they represent daily life, women, actors of kab

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  • TITIAN
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    TITIAN
    SIR CLAUDE PHILLIPS
    Not only does Sir Claude Phillips offer the reader a studied and insightful loook into the work of one of the world's most cherished painters, but he also invites us to discover the bustling world on the Venetian art circle in which Titian lived and worked. From his early years in the workshop of Giovanni Bellini, to his meeting with Michelangelo and his rivalry with Pordenone,

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  • ART OF SIBERIA
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    ART OF SIBERIA
    MARINA FEDEROVA / MARINA FEDEROVA / VALENTINA GORBATCHEVA
    The art of Siberia is a fascinating subject, and the artifacts discovered in the hidden archives of the Russian Museum of Ethnography in St. Petersburg are nothing less than extraordinary. Artwork, day-to-day subjects and photos dating from the turn of the century all represent the testimonies of the Siberian people who refused to yield to the hegemony of a modern world.

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  • GUSTAV KLIMT
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    GUSTAV KLIMT
    JANE ROGOYSKA / JANE ROGOYSKA / PATRICK BADE
    “I am not interested in myself as a subject for painting, but in others, particularly women…”Beautiful, sensuous and above all erotic, Gustav Klimt’s paintings speak of a world of opulence and leisure, which seems aeons away from the harsh, post-modern environment we live in now. The subjects he treats – allegories, portraits, landscapes and erotic figures – contain

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  • HIERONYMUS BOSCH
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    HIERONYMUS BOSCH
    VIRGINIA PITTS REMBERT
    Hieronymus Bosch was painting terrifying, yet strangely likeable, monsters, long before computer games were invented, often with a touch of humour. His works are assertive statements about the mental dangers that befall those who abandon the teachings of Christ. With a life that spanned from 1450 to 1516, Bosch was born at the height of the Renaissance and witnessed its wars of

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  • PETER PAUL RUBENS
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    PETER PAUL RUBENS
    MARIA VARSHAVSKAYA / XENIA YEGOROVA
    Universally celebrated for his rosy and concupiscent nudes, Peter Paul Rubens (1577-1640) was an artist whose first concern was sensuality in all its forms. This Baroque master devoted himself to a lifelong celebration of the joys and wonders of the physical realm. He felt that the human body was as lovely and natural as the many natural landscapes he painted as a young man. In

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  • MICHELANGELO DA CARAVAGGIO
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    MICHELANGELO DA CARAVAGGIO
    FELIX WITTING / FÉLIX WITTING / M.L. PATRIZI / M.L. PATRIZI
    After staying in Milan for his apprenticeship, Michelangelo da Caravaggio arrived in Rome in 1592. There he started to paint with both realism and psychological analysis of the sitters. Caravaggio was as temperamental in his painting as in his wild life. As he also responded to prestigious Church commissions, his dramatic style and his realism were seen as unacceptable. Chiaros

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  • MICHELANGELO
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    MICHELANGELO
    EUGÈNE MÜNTZ
    Michelangelo, like Leonardo, was a man of many talents; sculptor, architect, painter and poet, he made the apotheosis of muscular movement, which to him was the physical manifestation of passion. He moulded his draughtsmanship, bent it, twisted it, and stretched it to the extreme limits of possibility. There are not any landscapes in Michelangelo's painting. All the emotions, a

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  • REMBRANDT
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    REMBRANDT
    EMILE MICHEL / ÉMILE MICHEL
    Rembrandt van Rijn (1606-1669) has long been considered one of the greatest artists in European history. His paintings have launched imitations and homages, including best-selling novels, a recent TV series, and even a handful of popular films. Now, for the first time, this lovely text by Émile Michel is paired with carefully curated selections from Rembrandt’s portfolio to

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  • EDGAR DEGAS
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    EDGAR DEGAS
    EDGAR DEGAS / EDGAR DEGAS / NATALIA BRODSKAYA / NATHALIA BRODSKAYA
    Degas was closest to Renoir in the impressionist’s circle, for both favoured the animated Parisian life of their day as a motif in their paintings. Degas did not attend Gleyre’s studio; most likely he first met the future impressionists at the Café Guerbois. He started his apprenticeship in 1853 at the studio of Louis-Ernest Barrias and, beginning in 1854, studied under Lo

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  • AUGUSTE RODIN
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    AUGUSTE RODIN
    RAINER MARIA RILKE
    Influenced by the masters of Antiquity, the genius of Michelangelo and Baroque sculpture, particularly of Bernini, Auguste Rodin (1840-1917) is one of the most renowned artists in history. Though Rodin is considered a founder of modern sculpture, he did not set out to critique past classical traditions. Many of his sculptures were criticised and considered controversial because

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  • THE PRE-RAPHAELITES
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    THE PRE-RAPHAELITES
    ROBERT DE LA SIZERANNE
    In Victorian England, with the country swept up in the Industrial Revolution, the Pre-Raphaelites, close to William Morris’ Arts and Crafts movement, yearned for a return to bygone values. Wishing to revive the pure and noble forms of the Italian Renaissance, the major painters of the circle (such as John Everett Millais, Dante Gabriel Rossetti and William Holman Hunt) favour

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  • RENAISSANCE ART
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    RENAISSANCE ART
    VICTORIA CHARLES
    The Renaissance began at the end of the 14th century in Italy and had extended across the whole of Europe by the second half of the 16th century. The rediscovery of the splendour of ancient Greece and Rome marked the beginning of the rebirth of the arts following the break-down of the dogmatic certitude of the Middle Ages. A number of artists began to innovate in the domains of

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  • ROCOCO
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    ROCOCO
    KLAUS CARL / VICTORIA CHARLES
    Deriving from the French word rocaille, in reference to the curved forms of shellfish, and the Italian barocco, the French created the term ‘Rococo’. Appearing at the beginning of the 18th century, it rapidly spread to the whole of Europe. Extravagant and light, Rococo responded perfectly to the spontaneity of the aristocracy of the time. In many aspects, this art was linke

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  • POST-IMPRESSIONISM
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    POST-IMPRESSIONISM
    NATHALIA BRODSKAYA / NATHALIA BRODSKAÏA
    Whilst Impressionism marked the first steps toward modern painting by revolutionising an artistic medium stifled by academic conventions, Post-Impressionism, even more revolutionary, completely liberated colour and opened it to new, unknown horizons. Anchored in his epoch, relying on the new chromatic studies of Michel Eugène Chevreul, Georges Seurat transcribed the chemist’

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  • ROMANESQUE ART
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    ROMANESQUE ART
    KLAUS CARL / VICTORIA CHARLES
    In art history, the term ‘Romanesque art’ distinguishes the period between the beginning of the 11th and the end of the 12th century. This era showed a great diversity of regional schools each with their own unique style. In architecture as well as in sculpture, Romanesque art is marked by raw forms. Through its rich iconography and captivating text, this work reclaims the

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  • BAROQUE ART
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    BAROQUE ART
    KLAUS CARL / KLAUS H. CARL / VICTORIA CHARLES
    The Baroque period lasted from the beginning of the seventeenth century to the middle of the eighteenth century. Baroque art was artists’ response to the Catholic Church’s demand for solemn grandeur following the Council of Trent, and through its monumentality and grandiloquence it seduced the great European courts. Amongst the Baroque arts, architecture has, without doubt,

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  • EXPRESSIONISM
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    EXPRESSIONISM
    ASHLEY BASSIE / ASHLEY BASSIE
    Max Beckmann, Otto Dix, George Grosz, Emil Nolde, E.L. Kirchner, Paul Klee, Franz Marc as well as the Austrians Oskar Kokoschka and Egon Schiele were among the generation of highly individual artists who contributed to the vivid and often controversial new movement in early twentieth-century Germany and Austria: Expressionism. This publication introduces these artists and their

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  • THE ARTS & CRAFTS MOVEMENT
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    THE ARTS & CRAFTS MOVEMENT
    OSCAR LOVELL TRIGGS
    “Have nothing in your house that you do not know to be useful, or believe to be beautiful.” This quote alone from William Morris could summarise the ideology of the Arts & Crafts movement, which triggered a veritable reform in the applied arts in England. Founded by John Ruskin, then put into practice by William Morris, the Arts & Crafts movement promoted revolutionary idea

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