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Editorial : PARKSTONE INTERNATIONAL

1302 resultados para Editorial : PARKSTONE INTERNATIONAL

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  • SALVADOR DALÍ «YO SOY EL SURREALISMO»
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    SALVADOR DALÍ «YO SOY EL SURREALISMO»
    VICTORIA CHARLES / ERIC SHANES
    Salvador Dalí (1904-1989), conocido principalmente por su estilo único y grandilocuente, puede presumir de un repertorio extraordinario donde concurren cine, escultura, fotografía y, por supuesto, pintura. Mientras que su nombre es a menudo asociado, con razón, al surrealismo, Dalí demostró su maestría en géneros tan dispares como el clasicismo, el modernismo y el cubis

    14,35 €13,63 €

  • WESTERN EUROPEAN ILLUMINATED MANUSCRIPTS
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    WESTERN EUROPEAN ILLUMINATED MANUSCRIPTS
    ANRDEI STERLIGOV / TAMARA VORONOVA
    Anyone fortunate enough to have actually held a medieval manuscript in his hands must have felt excited at this immediate contact with the past. Both famous and unknown authors wrote philosophical, natural scientific and theological treatises, romances about knights and courtly love; humanists and theologists translated and commented upon the classical literature of antiquity;

    14,83 €14,09 €

  • UKIYO-E - GRABADO JAPONÉS
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    UKIYO-E - GRABADO JAPONÉS
    DORA AMSDEN / WOLDEMAR VON SEIDLITZ
    Ukiyo-e, imágenes del universo en mutación, es el nombre de un género artístico nacido en Japón durante el próspero período Edo (1615-1868). Estas impresiones típicas son resultado del trabajo colectivo entre un artista, un grabador y un impresor. Su auge y desarrollo se debió, en gran parte, a que los avances de la técnica permitieron una producción en serie accesib

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  • LEONARDO DA VINCI - ARTIST, PAINTER OF THE RENAISSANCE
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    LEONARDO DA VINCI - ARTIST, PAINTER OF THE RENAISSANCE
    EUGÈNE MÜNTZ
    “Studying nature with passion, and all the independence proper to his character, he could not fail to combine precision with liberty, and truth with beauty. It is in this final emancipation, this perfect mastery of modelling, of illumination, and of expression, this breadth and freedom, that the master’s raison d’être and glory consist. Others may have struck out new pat

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  • LEONARDO DA VINCI - THINKER AND MAN OF SCIENCE
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    LEONARDO DA VINCI - THINKER AND MAN OF SCIENCE
    EUGÈNE MÜNTZ
    Not only was Leonardo da Vinci (1453-1519) an astonishing painter, but also a scientist, anatomist, sculptor, architect, musician, engineer, inventor, and more. The question is rather, what was he not? During the Italian Renaissance, he mastered the most beautiful works of art for the Medicis’ in Italy and for the King of France. He aroused admiration from his contemporaries,

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  • THE RENAISSANCE ENGRAVERS
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    THE RENAISSANCE ENGRAVERS
    JP CALOSSE / CHARMIAN MEZENTSEVA / JP. A. CALOSSE
    This ambitious work allows the reader to discover the art of engraving in Europe from the 15th to the 16th century. The engravings of the Renaissance masters are considered models of artistic perfection, often studied and frequently copied.

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  • VELÁZQUEZ Y SU ÉPOCA
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    VELÁZQUEZ Y SU ÉPOCA
    CARL JUSTI
    Diego Rodríguez de Silva y Velázquez (6 de junio de 1599 – 6 de agosto de 1660), conocido como Diego Velázquez, fue un pintor del Siglo de Oro español que tuvo una influencia considerable en la corte del rey Felipe IV. Junto con Francisco de Goya y El Greco, es considerado uno de los artistas más importantes de la historia de España. Su estilo, aunque se mantuvo muy per

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  • THE LAST TSAR
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    THE LAST TSAR
    ŁARYSA JERMIŁOWA
    This is a major pictorial work about the Romanov dynasty, the supreme rulers of Russia for over 300 years, with special emphasis on the life of Nicholas II, the last Tsar. Moreover, it is an unsurpassed photographic record of the lives of the last reigning members of the Russian Royal family. The great majority of the photographs used in this book have never been published befo

    13,47 €12,80 €

  • ART NOUVEAU 120 ILLUSTRATIONS
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    ART NOUVEAU 120 ILLUSTRATIONS
    JEAN LAHOR / JEAN LAHOR
    Ever since its triumph at the Paris Universal Exposition, Art Nouveau has continued to inspire artists. The movement offered an artistic response to the industrial revolution and the creative vacuum left in its wake, exerting a huge impact on the decorative arts. Art Nouveau spans all forms of expression – including design, painting and architecture – and covers artists suc

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  • AUDUBON'S BIRDS
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    AUDUBON'S BIRDS
    JOHN JAMES AUDUBON / JOHN JAMES AUDUBON
    Audubon’s ambitious project to paint all the birds of North America resulted in a work that represents one of the greatest advances in ornithology. Not only did he identify new species, he also depicted birds within their natural habitat and in vivid poses. This impressive collection ranges from the Greater Flamingo and Bald Eagle to the Carolina parakeet. Audubon describes e

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  • ANGELS
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    ANGELS
    CLARA ERSKINE CLEMENT / CLARA ERSKINE CLEMENT
    Even today, the splendid appearance of angels remains undiminished. Images of these heavenly and powerful messengers convey protection, innocence and calm, and have been an inspiration to religious artists throughout the history of art. This book illustrates the most impressive representations of angels, from delicate, whimsical cupids to majestic depictions of the archangel Mi

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  • LEON BAKST AND ARTWORKS
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    LEON BAKST AND ARTWORKS
    ELISABETH INGLES
    Léon Bakst (1866-1924) was a painter, illustrator, stage and costume designer. He is universally acknowledged for representing a synthesis of creative energy in the late 19th and early 20th centuries. Bakst travelled widely throughout Europe and in 1890 joined the World of Art journal circle which numbered many artists among its members, the most famous being Benois and Diaghi

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  • BEAUTY OF THE BEAST
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    BEAUTY OF THE BEAST
    JOHN BASCOM
    Throughout time, artists have maintained a close relationship with the animal world, which has proved to be an inexhaustible source of inspiration. First, they received inspiration directly from their environment. Next, animals were used in art for their status as domestic friends, symbols of an intimate and familial life, held in particularly high esteem during the Renaissance

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  • RETRATOS DE LA VIRGEN
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    RETRATOS DE LA VIRGEN
    KLAUS CARL
    Durante el Renacimiento, los pintores italianos solían representar a las esposas de sus mecenas como Madonas, a menudo haciéndolas más bellas de lo que eran en realidad. Durante siglos, en la pintura religiosa, la Virgen ha sido presentada como la madre clemente y protectora de Dios. Sin embargo, con el paso del tiempo, María fue perdiendo algunas de sus características es

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  • RETRATOS DE LA VIRGEN
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    RETRATOS DE LA VIRGEN
    KLAUS CARL
    Durante el Renacimiento, los pintores italianos solían representar a las esposas de sus mecenas como Madonas, a menudo haciéndolas más bellas de lo que eran en realidad. Durante siglos, en la pintura religiosa, la Virgen ha sido presentada como la madre clemente y protectora de Dios. Sin embargo, con el paso del tiempo, María fue perdiendo algunas de sus características es

    11,99 €11,39 €

  • WASSILY KANDINSKY AND ARTWORKS
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    WASSILY KANDINSKY AND ARTWORKS
    MIKHAÏL GUERMAN
    Wassily Kandinsky (1866-1944) was a Russian painter credited as being among the first to truly venture into abstract art. He persisted in expressing his internal world of abstraction despite negative criticism from his peers. He veered away from painting that could be viewed as representational in order to express his emotions, leading to his unique use of colour and form. Alth

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  • JEAN-HONORÉ FRAGONARD AND ARTWORKS
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    JEAN-HONORÉ FRAGONARD AND ARTWORKS
    EDMOND GONCOURT / JULES GONCOURT
    A painter and printmaker of the Rococo movement, Jean- Honoré Fragonard (1732-1806) is recognised as one of France’s most prolific artists. His genius however almost went forgotten after the Revolution due to the expanding influence of neo-classicism and the loss of his bourgeoisie clientele. He studied under the great Boucher and painted over 550 works in various genres inc

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  • PAUL SIGNAC AND ARTWORKS
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    PAUL SIGNAC AND ARTWORKS
    PAUL SIGNAC
    Inspired by Monet’s work at a young age, Paul Signac (1863-1935) was a friend and disciple of Georges Seurat who combined the scientific precision of pointillism with the vivid colors and emotional expressivity of Impressionism. A close personal friend of Vincent van Gogh, who was a great admirer of his techniques, Signac traveled the world in search of inspiration for his mo

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  • THE ORIGIN OF THE WORLD
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    THE ORIGIN OF THE WORLD
    HANS-JÜRGEN DÖPP / JP. A. CALOSSE
    Lacan, the last owner of Courbet’s The Origin of the World, loved the painting so much that he couldn’t even bring himself to look at it. Instead, he hid it behind a “safer” painting. The Chinese called it the “valley of the roses” (watch out for the thorns!), the Persians, the “honey-pot” (watch out for the bees!), and the Greeks, “the mound of Venus” (min

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  • VINCENT VAN GOGH Y OBRAS DE ARTE
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    VINCENT VAN GOGH Y OBRAS DE ARTE
    VINCENT VAN GOGH
    La vida y obra de Vincent van Gogh están tan entremezcladas que es prácticamente imposible observar una sin pensar en la otra. Van Gogh se ha convertido en la encarnación del sufrimiento, en el mártir incomprendido del arte moderno, el emblema del artista como alguien ajeno. En 1890 se publicó un artículo que daba detalles acerca de la enfermedad de van Gogh. Su autor con

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