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Editorial : PARKSTONE INTERNATIONAL / Materia : Arquitectura

788 resultados para Editorial : PARKSTONE INTERNATIONAL / Materia : Arquitectura

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ALBRECHT DÜRER 1471-1528

VICTORIA CHARLES

Albrecht Dürer (1471-1528) is widely regarded as one of the most significant artists of the Northern Renaissance. Born in Nuremberg, Germany, Dürer became renowned for his mastery of various mediums, including painting, printmaking, and wood-cutting. Throughout his life, Dürer produced a vast array of works that demonstrated his technical skill and innovative vision. His art

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ROSA BONHEUR. AN UNCONVENTIONAL PATH

VICKY CHARLES

Rosa Bonheur (1822-1899) Bonheur was the oldest of four artistic children born to the French landscape painter Raymond Bonheur. Rosa began sketching and sculpting animals at an early age and used her interest in animals to help her learn to read and write. She would sketch an animal for each letter of the alphabet and perfected her form by visiting butcher shops and cattle mark

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JEAN-ANTOINE WATTEAU

YOURI ZOLOTOV

Antoine Watteau (1684-1721) epitomises the grace, intelligence, and poetry of the eighteenth century, a period when French tastes reigned supreme throughout Europe. He is renowned as a pivotal figure in Rococo art. Watteau excels in depicting scenes of daily life and theatrical costumes. His work, while highly stylised, reveals an undercurrent of melancholy beneath its apparent

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JEAN-HONORÉ FRAGONARD

EDMOND GONCOURT / JULES GONCOURT / MAGGIORINO DI CALOSSO

Jean-Honoré Fragonard (1732-1806) punctuates the eighteenth century with a burst of fireworks, closing the arc opened by Watteau with his enchanting poems of love and melancholy. While Watteau was ethereal and profound, Fragonard was delightfully light. He captivates us even as he amuses himself, his emotional distance ever apparent. Specialising in “fêtes galantes” execu

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ANTONI GAUDÍ - EL MÁXIMO EXPONENTE DE LA ARQUITECTURA MODERNISTA CATALANA.

JEREMY ROE

El arquitecto y diseñador español Antoni Gaudí (1852-1926) es una importante e influyente figura en la historia del arte contemporáneo de España. El uso del color, la utilización de diferentes materiales y la introducción de movimiento en sus construcciones fueron toda una innovación en el terreno de la arquitectura. En su diario, Gaudí expresó sus propios sentimiento

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MIGUEL ÁNGEL - NINGÚN ARTISTA, NUNCA EN LA VIDA, CONSEGUIRÁ LOGRAR ESTA PERFECCIÓN.

EUGÈNE MÜNTZ

La leyenda de Miguel Ángel (1475-1564) ha permanecido incólume durante quinientos años. Eruditos como Chateaubriand, Manzoni y Rilke vieron en él un maestro de la renovación del arte occidental. En efecto, dotado con un genio creativo casi sobrehumano, Miguel Ángel encarna al “hombre universal” del Renacimiento italiano, y la calidad y alcance de su obra son incompara

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REMBRANDT - UNO DE LOS GRANDES PROFETAS DE LA CIVILIZACIÓN»

ÉMILE MICHEL

Un cuadro de Rembrandt es una entidad viva que existe según sus propias leyes, que refleja la multiplicidad de pensamientos y de emociones presentes en la mente del pintor. El hombre y su disposición mental: éste es el problema fundamental que ocupa al artista a lo largo de toda su vida. Atormentado por problemas familiares, se refugió en la pintura, la cual se volvía más

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SALVADOR DALÍ «YO SOY EL SURREALISMO»

VICTORIA CHARLES / ERIC SHANES

Salvador Dalí (1904-1989), conocido principalmente por su estilo único y grandilocuente, puede presumir de un repertorio extraordinario donde concurren cine, escultura, fotografía y, por supuesto, pintura. Mientras que su nombre es a menudo asociado, con razón, al surrealismo, Dalí demostró su maestría en géneros tan dispares como el clasicismo, el modernismo y el cubis

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LEONARDO DA VINCI - ARTIST, PAINTER OF THE RENAISSANCE

EUGÈNE MÜNTZ

“Studying nature with passion, and all the independence proper to his character, he could not fail to combine precision with liberty, and truth with beauty. It is in this final emancipation, this perfect mastery of modelling, of illumination, and of expression, this breadth and freedom, that the master’s raison d’être and glory consist. Others may have struck out new pat

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LEONARDO DA VINCI - THINKER AND MAN OF SCIENCE

EUGÈNE MÜNTZ

Not only was Leonardo da Vinci (1453-1519) an astonishing painter, but also a scientist, anatomist, sculptor, architect, musician, engineer, inventor, and more. The question is rather, what was he not? During the Italian Renaissance, he mastered the most beautiful works of art for the Medicis’ in Italy and for the King of France. He aroused admiration from his contemporaries,

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WILLIAM BLAKE

OSBERT BURDETT

Poet, draughtsman, engraver and painter, William Blake’s work is made up of several elements – Gothic art, Germanic reverie, the Bible, Milton and Shakespeare – to which were added Dante and a certain taste for linear designs, resembling geometric diagrams, and relates him to the great classical movement inspired by Winckelmann and propagated by David. This is the sole po

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MALEVICH

GERRY SOUTER

Kasimir Malevich (1878-1935) was a painter and a great art theorist, but first and foremost he was the founder of Suprematism, a style seeking pure abstraction based on geometrical forms. “Suprematism,” he wrote, “has led me to discover something that had not been understood until then… There is in human consciousness an imperious desire of space and the will to escape

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THE SPLENDOR OF ENGLISH GOTHIC ARCHITECTURE

JOHN SHANNON HENDRIX

This book explains and celebrates the richness of Englishchurches and cathedrals, which have a major place inmedieval architecture. The English Gothic style developedsomewhat later than in France, but rapidly developed itsown architectural and ornamental codes. The author, John Shannon Hendrix, classifies English Gothic architecture in four principal stages: the early English G

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BOSCH

VIRGINIA PITTS REMBERT

Hieronymus Bosch was painting frightening, yet vaguely likable monsters long before computer games were ever invented, often including a touch of humour. His works are assertive statements about the mental illness that befalls any man who abandons the teachings of Christ. With a life that spanned from 1450 to 1516, Bosch experienced the drama of the highly charged Renaissance a

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FRA ANGELICO

STEPHAN BEISSEL

Secluded within cloister walls, a painter and a monk, and brother of the order of the Dominicans, Angelico devoted his life to religious paintings. Little is known of his early life except that he was born at Vicchio, in the broad fertile valley of the Mugello, not far from Florence, that his name was Guido de Pietro, and that he passed his youth in Florence, probably in some b

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THE BRUEGHELS

EMILE MICHEL / VICTORIA CHARLES

Pieter Brueghel was the first important member of a family of artists who were active for four generations. Firstly a drawer before becoming a painter later, he painted religious themes, such as Babel Tower, with very bright colours. Influenced by Hieronymus Bosch, he painted large, complex scenes of peasant life and scripture or spiritual allegories, often with crowds of subje

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GUSTAVE COURBET

GEORGES RIAT

Ornans, Courbet’s birthplace, is near the beautiful valley of the Doubs River, and it was here as a boy, and later as a man, that he absorbed the love of landscape. He was by nature a revolutionary, a man born to oppose existing order and to assert his independence; he had that quality of bluster and brutality which makes the revolutionary count in art as well as in politics.

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PAUL KLEE

PAUL KLEE

An emblematic figure of the early 20th century, Paul Klee participated in the expansive Avant-Garde movements in Germany and Switzerland. From the vibrant Blaue Reiter movement to Surrealism at the end of the 1930s and throughout his teaching years at the Bauhaus, he attempted to capture the organic and harmonic nature of painting by alluding to other artistic mediums such as p

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ANDREA MANTEGNA AND THE ITALIAN RENAISSANCE

JOSEPH MANCA

Mantegna; humanist, geometrist, archaeologist, of great scholastic and imaginative intelligence, dominated the whole of northern Italy by virtue of his imperious personality. Aiming at optical illusion, he mastered perspective. He trained in painting at the Padua School where Donatello and Paolo Uccello had previously attended. Even at a young age commissions for Andrea’s wor

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THE LIFE AND MASTERWORKS OF J.M.W. TURNER

ERIC SHANES

At fifteen, Turner was already exhibiting View of Lambeth. He soon acquired the reputation of an immensely clever watercolourist. A disciple of Girtin and Cozens, he showed in his choice and presentation of theme a picturesque imagination which seemed to mark him out for a brilliant career as an illustrator. He travelled, first in his native land and then on several occasions i

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