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Editorial : PARKSTONE INTERNATIONAL / Materia : Humanidades y Ciencias Sociales

162 resultados para Editorial : PARKSTONE INTERNATIONAL / Materia : Humanidades y Ciencias Sociales

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ART OF VIETNAM

CATHERINE NOPPE / JEAN-FRANÇOIS HUBERT

Since the foundation of the Au Lac kingdom three centuries ago – famous for their bronze drums and their magnificent artilleries – until the works of the painters from the Ecole des Beaux-Arts of Indochina, created in Hanoi in 1925, the arts of Vietnam have been marked by its profoundly original cultures and the fusion between Asia and the Occident. The modern Vietnamese ci

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PIET MONDRIAN

VIRGINIA PITTS REMBERT

Pioneer and leader of the abstract art movement, Piet Mondrian (1872-1944) was known for his straight lines and pure colours. Fascinated by the mathematical laws of the universe, this Dutch artist nourished his work with his scientific discoveries and created a new abstract language alongside his allies Wassily Kandinsky and Fernand Léger. As his investigations advanced, his w

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HIERONYMUS BOSCH

VIRGINIA PITTS REMBERT

Hieronymus Bosch was painting terrifying, yet strangely likeable, monsters, long before computer games were invented, often with a touch of humour. His works are assertive statements about the mental dangers that befall those who abandon the teachings of Christ. With a life that spanned from 1450 to 1516, Bosch was born at the height of the Renaissance and witnessed its wars of

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REMBRANDT

EMILE MICHEL / ÉMILE MICHEL

Rembrandt van Rijn (1606-1669) has long been considered one of the greatest artists in European history. His paintings have launched imitations and homages, including best-selling novels, a recent TV series, and even a handful of popular films. Now, for the first time, this lovely text by Émile Michel is paired with carefully curated selections from Rembrandt’s portfolio to

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ROMANESQUE ART

KLAUS CARL / VICTORIA CHARLES

In art history, the term ‘Romanesque art’ distinguishes the period between the beginning of the 11th and the end of the 12th century. This era showed a great diversity of regional schools each with their own unique style. In architecture as well as in sculpture, Romanesque art is marked by raw forms. Through its rich iconography and captivating text, this work reclaims the

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SYMBOLISM

NATHALIA BRODSKAYA / NATHALIA BRODSKAÏA

Symbolism appeared in France and Europe between the 1880s and the beginning of the 20th century. The Symbolists, fascinated with ancient mythology, attempted to escape the reign of rational thought imposed by science. They wished to transcend the world of the visible and the rational in order to attain the world of pure thought, constantly flirting with the limits of the uncons

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BYZANTINE ART

CHARLES BAYET

For more than a millennium, from its creation in 330 CE until its fall in 1453, the Byzantine Empire was a cradle of artistic effervescence that is only beginning to be rediscovered. Endowed with the rich heritage of Roman, Eastern, and Christian cultures, Byzantine artists developed an architectural and pictorial tradition, marked by symbolism, whose influence extended far bey

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ENCAUSTIC ART

JENNIFER MARGELL

Encaustic painting is one of the world’s most venerable art forms, having been practised consistently around the world since the ancient Egyptians first used it to decorate sarcophagi, and enjoying continuing popularity in the modern era with artists such as Paul Klee and Diego Rivera. In this new text, Jennifer Margell offers readers a comprehensive introduction to the mediu

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EL RENACIMIENTO

VICTORIA CHARLES

El Renacimiento se inició a finales del siglo catorce en Italia y ya estaba extendido por toda Europa en la segunda mitad del siglo dieciséis. El redescubrimiento del esplendor de la antigua Grecia y Roma supuso el comienzo del renacimiento de las artes como consecuencia de la descomposición de la certeza dogmática de la Edad Media. Surgió una generación de artistas que c

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MODERNISMO - LA RUPTURA CON EL PASADO

JEAN LAHOR

La expresión Art Nouveau hace referencia a un estilo decorativo y arquitectónico desarrollado en Occidente en las décadas de 1880 y 1890. Nacido como reacción a la revolución industrial y al vacío creativo que dejó tras de sí, el Art Nouveau fue el núcleo de un “renacimiento” de las artes decorativas. El objetivo fundamental del movimiento era la creación de una n

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ARTE NAIF

NATHALIA BRODSKAÏA

El arte naif se hizo popular por primera vez a finales del siglo diecinueve. Hasta ese momento, esta forma de expresión creada por artistas sin formación y caracterizados por su espontaneidad y simplicidad contaba con poco reconocimiento entre los artistas profesionales y los críticos de arte. Influenciada por las artes primitivas, la pintura naif se caracteriza por la fluid

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EL SIMBOLISMO

NATHALIA BRODSKAÏA

El Simbolismo apareció en Francia y Europa entre la década de 1880 y el principio del siglo veinte. Los simbolistas, fascinados por la mitología de la Antigüedad, intentaban escapar del reino del pensamiento racional impuesto por la ciencia. Deseaban trascender el mundo de lo visible y lo racional para alcanzar el mundo del pensamiento puro, coqueteando constantemente con l

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MIGUEL ÁNGEL - NINGÚN ARTISTA, NUNCA EN LA VIDA, CONSEGUIRÁ LOGRAR ESTA PERFECCIÓN.

EUGÈNE MÜNTZ

La leyenda de Miguel Ángel (1475-1564) ha permanecido incólume durante quinientos años. Eruditos como Chateaubriand, Manzoni y Rilke vieron en él un maestro de la renovación del arte occidental. En efecto, dotado con un genio creativo casi sobrehumano, Miguel Ángel encarna al “hombre universal” del Renacimiento italiano, y la calidad y alcance de su obra son incompara

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REMBRANDT - UNO DE LOS GRANDES PROFETAS DE LA CIVILIZACIÓN»

ÉMILE MICHEL

Un cuadro de Rembrandt es una entidad viva que existe según sus propias leyes, que refleja la multiplicidad de pensamientos y de emociones presentes en la mente del pintor. El hombre y su disposición mental: éste es el problema fundamental que ocupa al artista a lo largo de toda su vida. Atormentado por problemas familiares, se refugió en la pintura, la cual se volvía más

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SALVADOR DALÍ «YO SOY EL SURREALISMO»

VICTORIA CHARLES / ERIC SHANES

Salvador Dalí (1904-1989), conocido principalmente por su estilo único y grandilocuente, puede presumir de un repertorio extraordinario donde concurren cine, escultura, fotografía y, por supuesto, pintura. Mientras que su nombre es a menudo asociado, con razón, al surrealismo, Dalí demostró su maestría en géneros tan dispares como el clasicismo, el modernismo y el cubis

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WESTERN EUROPEAN ILLUMINATED MANUSCRIPTS

ANRDEI STERLIGOV / TAMARA VORONOVA

Anyone fortunate enough to have actually held a medieval manuscript in his hands must have felt excited at this immediate contact with the past. Both famous and unknown authors wrote philosophical, natural scientific and theological treatises, romances about knights and courtly love; humanists and theologists translated and commented upon the classical literature of antiquity;

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LEONARDO DA VINCI - ARTIST, PAINTER OF THE RENAISSANCE

EUGÈNE MÜNTZ

“Studying nature with passion, and all the independence proper to his character, he could not fail to combine precision with liberty, and truth with beauty. It is in this final emancipation, this perfect mastery of modelling, of illumination, and of expression, this breadth and freedom, that the master’s raison d’être and glory consist. Others may have struck out new pat

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LEONARDO DA VINCI - THINKER AND MAN OF SCIENCE

EUGÈNE MÜNTZ

Not only was Leonardo da Vinci (1453-1519) an astonishing painter, but also a scientist, anatomist, sculptor, architect, musician, engineer, inventor, and more. The question is rather, what was he not? During the Italian Renaissance, he mastered the most beautiful works of art for the Medicis’ in Italy and for the King of France. He aroused admiration from his contemporaries,

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THE ART OF CHAMPA

JEAN-FRANÇOIS HUBERT

In the 5th century, the Champa kingdom held sway over a large area of today’s Vietnam. Several magnificent structures still testify to their former presence in the Nha Trang region. Cham sculpture was worked in a variety of materials, principally sandstone, but also gold, silver and bronze. It was primarily used to illustrate themes from Indian mythology. The kingdom was grad

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LANDSCAPES

EMILE MICHEL / ÉMILE MICHEL

Although considered a minor genre for a long time, the art of landscape has risen above its forebears - religious and historic painting - to become a genre of its own. Giorgione in Italy, the Brueghels of the Flemish School, Claude Lorrain and Poussain of the French School, the Dutch landscape painters and Turner and Constable of England are just a few of the great landscapists

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