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Editorial : PARKSTONE INTERNATIONAL / Materia : Arte

604 resultados para Editorial : PARKSTONE INTERNATIONAL / Materia : Arte

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ALBRECHT DÜRER 1471-1528

VICTORIA CHARLES

Albrecht Dürer (1471-1528) is widely regarded as one of the most significant artists of the Northern Renaissance. Born in Nuremberg, Germany, Dürer became renowned for his mastery of various mediums, including painting, printmaking, and wood-cutting. Throughout his life, Dürer produced a vast array of works that demonstrated his technical skill and innovative vision. His art

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ROSA BONHEUR. AN UNCONVENTIONAL PATH

VICKY CHARLES

Rosa Bonheur (1822-1899) Bonheur was the oldest of four artistic children born to the French landscape painter Raymond Bonheur. Rosa began sketching and sculpting animals at an early age and used her interest in animals to help her learn to read and write. She would sketch an animal for each letter of the alphabet and perfected her form by visiting butcher shops and cattle mark

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THE PEOPLES OF THE GREAT NORTH. ART AND CIVILISATION OF SIBERIA

MARINA FEDEROVA / VALENTINA GORBATCHEVA

Documents discovered recently in the hidden backrooms of St Petersburg’s Ethnological Museum have proved to be of sensational importance. The contents are published for the very first time in this work. Representing photos and descriptions of art and sculpture, of everyday utensils and everyday activities, all dating from the beginning of the twentieth century, these are the

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THE LADY AND THE UNICORN

SUTHERLAND LYALL

The legendary medieval tapestry The Lady and the Unicorn is Sutherland Lyall’s starting point for this journey into the world of mythology and mystery which has been woven around the myth of the unicorn and the lady. We learn that the unicorn is the symbol for power and the lady may be mother, mistress or virgin. With an abundant collection of documents form a number of inter

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JEAN-ANTOINE WATTEAU

YOURI ZOLOTOV

Antoine Watteau (1684-1721) epitomises the grace, intelligence, and poetry of the eighteenth century, a period when French tastes reigned supreme throughout Europe. He is renowned as a pivotal figure in Rococo art. Watteau excels in depicting scenes of daily life and theatrical costumes. His work, while highly stylised, reveals an undercurrent of melancholy beneath its apparent

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JEAN-HONORÉ FRAGONARD

EDMOND GONCOURT / JULES GONCOURT / MAGGIORINO DI CALOSSO

Jean-Honoré Fragonard (1732-1806) punctuates the eighteenth century with a burst of fireworks, closing the arc opened by Watteau with his enchanting poems of love and melancholy. While Watteau was ethereal and profound, Fragonard was delightfully light. He captivates us even as he amuses himself, his emotional distance ever apparent. Specialising in “fêtes galantes” execu

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STREET ART EVOLUTION 1970-1990

CIE CARL / CORNELIA CARL

This richly illustrated book plunges you into the vibrant and provocative world of graffiti and street art in this wide-ranging exploration of a much-misunderstood culture. Our journey spans the tumultuous birth of graffiti in 1970s New York, to its explosive growth and evolution. Be seduced by the visceral impact of the bright colours and intricate shapes, the hard-hitting soc

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ÉMILE GALLÉ

ÉMILE GALLÉ

An icon in the Art Nouveau movement, Émile Gallé (1846-1904) sought to portray the beauty and simplicity of nature in his glass art. His designs, referred to as “poetry in glass”, range from fine pottery to jewellery to furniture. Everything Gallé produced contains traces of his masterful technique which reflects his innovativeness as an artist and his skill as a designe

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VELÁZQUEZ Y SU ÉPOCA

CARL JUSTI

Diego Rodríguez de Silva y Velázquez (6 de junio de 1599 – 6 de agosto de 1660), conocido como Diego Velázquez, fue un pintor del Siglo de Oro español que tuvo una influencia considerable en la corte del rey Felipe IV. Junto con Francisco de Goya y El Greco, es considerado uno de los artistas más importantes de la historia de España. Su estilo, aunque se mantuvo muy per

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ROMANESQUE ART

KLAUS CARL / VICTORIA CHARLES

In art history, the term ‘Romanesque art’ distinguishes the period between the beginning of the 11th and the end of the 12th century. This era showed a great diversity of regional schools each with their own unique style. In architecture as well as in sculpture, Romanesque art is marked by raw forms. Through its rich iconography and captivating text, this work reclaims the

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BAROQUE ART

KLAUS CARL / KLAUS H. CARL / VICTORIA CHARLES

The Baroque period lasted from the beginning of the seventeenth century to the middle of the eighteenth century. Baroque art was artists’ response to the Catholic Church’s demand for solemn grandeur following the Council of Trent, and through its monumentality and grandiloquence it seduced the great European courts. Amongst the Baroque arts, architecture has, without doubt,

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EXPRESSIONISM

ASHLEY BASSIE / ASHLEY BASSIE

Max Beckmann, Otto Dix, George Grosz, Emil Nolde, E.L. Kirchner, Paul Klee, Franz Marc as well as the Austrians Oskar Kokoschka and Egon Schiele were among the generation of highly individual artists who contributed to the vivid and often controversial new movement in early twentieth-century Germany and Austria: Expressionism. This publication introduces these artists and their

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THE ARTS & CRAFTS MOVEMENT

OSCAR LOVELL TRIGGS

“Have nothing in your house that you do not know to be useful, or believe to be beautiful.” This quote alone from William Morris could summarise the ideology of the Arts & Crafts movement, which triggered a veritable reform in the applied arts in England. Founded by John Ruskin, then put into practice by William Morris, the Arts & Crafts movement promoted revolutionary idea

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NAIVE ART

NATHALIA BRODSKAYA / NATHALIA BRODSKAÏA

Naive art first became popular at the end of the 19th century. Until that time, this form of expression, created by untrained artists and characterised by spontaneity and simplicity, enjoyed little recognition from professional artists and art critics. Influenced by primitive arts, naive painting is distinguished by the fluidity of its lines, vivacity, and joyful colours, as we

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EARLY ITALIAN PAINTING

ANNA JAMESON / ANNA JAMESON / GIOVANNI BATTISTA CAVALCASELLE / GIOVANNI BATTISTA CAVALCASELLE / JOSEPH ARCHER CROWE

Oscillating between the majesty of the Greco-Byzantine tradition and the modernity predicted by Giotto, Early Italian Painting addresses the first important aesthetic movement that would lead to the Renaissance, the Italian Primitives. Trying new mediums and techniques, these revolutionary artists no longer painted frescos on walls, but created the first mobile paintings on woo

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ROMANTICISM

LÉON ROSENTHAL

Romanticism was a reaction against the Neoclassicism that invaded the 19th century, and marked a veritable intellectual rupture. Found in the writings of Victor Hugo and Lord Byron, amongst others, its ideas are expressed in painting by Eugène Delacroix, Caspar David Friedrich and William Blake. In sculpture, François Rude indicated the direction this new artistic freedom wou

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SYMBOLISM

NATHALIA BRODSKAYA / NATHALIA BRODSKAÏA

Symbolism appeared in France and Europe between the 1880s and the beginning of the 20th century. The Symbolists, fascinated with ancient mythology, attempted to escape the reign of rational thought imposed by science. They wished to transcend the world of the visible and the rational in order to attain the world of pure thought, constantly flirting with the limits of the uncons

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BYZANTINE ART

CHARLES BAYET

For more than a millennium, from its creation in 330 CE until its fall in 1453, the Byzantine Empire was a cradle of artistic effervescence that is only beginning to be rediscovered. Endowed with the rich heritage of Roman, Eastern, and Christian cultures, Byzantine artists developed an architectural and pictorial tradition, marked by symbolism, whose influence extended far bey

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ART NOUVEAU

JEAN LAHOR / JEAN LAHOR

Art Nouveau gives a name to the decorative and architectural style developed in the 1880s and 1890s in the West. Born in reaction to the Industrial Revolution and to the creative vacuum it left behind, Art Nouveau was at the heart of a “renaissance” in the decorative arts. The primary objective of the movement was the creation of a new aesthetic of nature through a return t

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CUBISM

DOROTHEA EIMERT / GUILLAUME APOLLINAIRE

Les Demoiselles d’Avignon: five young women that changed modern art forever. Faces seen simultaneously from the front and in profile, angular bodies whose once voluptuous feminine forms disappear behind asymmetric lines - with this work, Picasso revolutionised the entire history of painting. Cubism was thus born in 1907. Transforming natural forms into cylinders and cubes, pa

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