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Editorial : PARKSTONE INTERNATIONAL / Materia : Literatura y ficción

12 resultados para Editorial : PARKSTONE INTERNATIONAL / Materia : Literatura y ficción

Literatura y ficción
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  • APRENDE INGLÉS CON LA GATITA LUCÍA - LA CIUDAD
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    APRENDE INGLÉS CON LA GATITA LUCÍA - LA CIUDAD
    CATHERINE BRUZZONE / CLARE BEATON / ROSA MARÍA MARTÍN
    En esta historieta con ilustraciones a todo color, la valiente Gatita Lucía detiene a un ladrón que raba el dinero del mercado. * Texto sencillo en los diálogos. * Dibujos simpáticos. * Una historia interesante. ¡Fácil de leer y muy divertida!

    6,47 €6,15 €

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  • LEARN SPANISH WITH LUCY CAT - THE CITY
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    LEARN SPANISH WITH LUCY CAT - THE CITY
    CATHERINE BRUZZONE / CLARE BEATON / ROSA MARÍA MARTÍN
    In this cartoon with full color illustrations, the brave Kitten Lucía stops a thief who is stealing money from the market. * Simple text in dialogs. * Nice drawings. * An interesting story. * Easy to read and so much fun!

    6,47 €6,15 €

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  • FELICIEN ROPS
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    FELICIEN ROPS
    PATRICK BADE
    Felicien Rops (1833-1898) is a very surprising artist. Engraver and drawer of exception, Felicien Rops captures and anticipates, with astonishing talent, the female body with great modernity. Abandoning the conventional forms of the time, the artist creates a world full of humour, tenderness and, at times, insolence for the jubilation of the spectator's eye. Many of Rops' most

    9,24 €8,78 €

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  • AUBREY BEARDSLEY
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    AUBREY BEARDSLEY
    PATRICK BADE
    Born in 1872, Aubrey Beardsley was, along with Oscar Wilde, an emblematic figure of the decadence that marked the end of Queen Victoria's reign. Largely self-taught, Beardsley's drawings initially show the influence of the Pre-Raphaelites, such as Burne-Jones and Rossetti. Later, he adopted a more radical and innovative style, illustrating Sir Thomas Malory's Le Morte d'Arthur

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  • AUGUSTE RENOIR
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    AUGUSTE RENOIR
    PATRICK BADE
    Pierre-Auguste Renoir (1841-1919) is one of the most famous French impressionist painters. Influenced in his early works by Raphael, and creator of more than 6,000 paintings, Renoir gave more importance to the human figure than to the landscape. His works, enriched by a palette that was exclusive and unique to the artist, show us life in Paris at the time. His greatest masterpi

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  • LUCAS CRANACH THE ELDER
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    LUCAS CRANACH THE ELDER
    ALEXANDER STEPANOV
    Lucas Cranach (1472-1553) was one of the greatest artists of the Renaissance, as shown by the diversity of his artistic interests as well as his awareness of the social and political events of this time. He developed a number of painting techniques which were afterwards used by several generations of artists. His somewhat mannered style and spending palette are easily recognize

    9,99 €9,49 €

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  • L’ART GREC
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    L’ART GREC
    ELIE FAURE / KLAUS H. CARL
    L’art grecque qu’on situe traditionnellement entre le Xe et le Ier siècle av. J.C., est naturaliste - tout symbolisme lui est étranger. Et si dans son désir d’absolu réalisable, il fait la nature plus belle, c’est dans le sens étroit qu’elle lui a enseigné. Il ne transpose pas, il ne stylise pas, il ne schématise pas, il ne résume même pas. Il exprime avec pe

    9,92 €9,42 €

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  • DADA
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    DADA
    G. APPOLINAIRE / VICTORIA CHARLES
    Dada shocked the world between the years 1916 and 1922. Dada was not an art movement in the normal sense. It was a storm that broke over the art scene of the time, as the war upon the peoples. They consciously staged anti-art events. According to Max Ernst, it was the 'outbreak of anger and zest for life' at the same time. The indignation about the monstrous genocide during Wor

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  • EGYPTIAN ART
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    EGYPTIAN ART
    ELIE FAURE / JEAN CAPART / VICTORIA CHARLES
    Egyptian art is perhaps the most impersonal that exists. The artist effaces himself. But he has such an innate sense of life, a sense so directly moved and so limpid that everything of life which he describes seems defi ned by that sense, to issue from the natural gesture, from the exact attitude, in which one no longer sees stiffness. His impersonality resembles that of the tr

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  • GREEK ART
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    GREEK ART
    ELIE FAURE / KLAUS H. CARL
    Greek art, at the very moment that it was breaking up in depth, was scattering over the whole material surface of Hellenic antiquity. After the movement of concentration that had brought to Athens all the forces of Hellenism, a movement of dispersal began, which was to carry from Athens to southern Italy, to Sicily, to Cyrenaica, Egypt, the Islands, and Asia Minor the passion a

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  • NEOCLASSICISM
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    NEOCLASSICISM
    VICTORIA CHARLES
    In the arts, Neoclassicism is a historical tradition or aesthetic attitude based on the art of Greece and Rome in antiquity. The movement started around the 18th-century, age of Enlightenment, and continued into the early 19th-century The general credo associated with the aesthetic attitude of Classicism was that art had to be rational and therefore morally better. Neoclassicis

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  • LOS MISTERIOS DE LOS VENENOS
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    LOS MISTERIOS DE LOS VENENOS
    PEDRO PALAO PONS
    ¿Fueron envenenados Alejandro Magno, Cleopatra, Napoleón o Yasir Arafat? La historia de los venenos es larga y apasionante. El veneno está en nuestras creencias, religiones y mitologías. Se encuentra junto a los dioses, héroes y y seres que moran más allá de la razón. Pervive en el folclore y en las historias legendarias, y resiste el paso del tiempo. El uso de los vene

    6,80 €6,46 €

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