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de ISHAGHPOUR, YOUSSEF
de ISHAGHPOUR, YOUSSEF
Footmarks and handprints, sand, wood, earth, rope, words and letters:T pies, repertoire is infinite. Mir¢ encouraged him to use forms andmaterials of every kind, all the more so in an environment devoid ofmeaning-Spain in the post-war years-in which official reality bore norelation to the situation as it really was. Imperceptibly, truereality asserted its pre-eminence and the expressiveness ofincreasingly organic materials, endowing his painting with greatermateriality than signification.
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